Pick a random title St. Vincent

2014 2.5/5 PG-13 SuperHD 102 minutes

With his parents preoccupied with their divorce, lonely 12-year-old Oliver strikes up a friendship with his war-veteran neighbor Vincent.

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Bill Murray, Melissa McCarthy, Naomi Watts, Chris O'Dowd, Terrence Howard, Jaeden Lieberher, Lenny Venito, Nate Corddry, Dario Barosso, Kimberly Quinn, Scott Adsit, Katharina Damm Directed by Theodore Melfi

Comedies, Independent Movies, Independent Comedies


Available since Aug 10, 2016. Queued 1277 times from this site.

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NYT Review: Geezer Meets Kid, and, Well, You Know

Bill Murray is in full codger mode in “St. Vincent,” a comic Brooklyn tale of intergenerational friendship and complications written and directed by Theodore Melfi. — Manohla Dargis Read the review

Rotten Tomatoes® Scores
  78%   79%
Movie Reviews from Rotten Tomatoes®

While the film is stuffed with cliches, at least they're the warm and fuzzy kind.

Mara Reinstein, Us Weekly, 2014-11-14


St. Vincent will dodge your impulse to projectile vomit. For that, all hail Bill Murray who whacks away at the script's sentimental softballs like A-Rod in full swing.

Peter Travers, Rolling Stone, 2014-10-24


The adult supporting players are all excellent, but next to Murray, the key casting is Jaeden Lieberher as young Oliver. The kid is a natural in the sidekick role, never once playing it too cute or too actor-y.

Richard Roeper, Chicago Sun-Times, 2014-10-24


It's good to see funny gal McCarthy playing the straight woman in this comedy rather than the appealing/appalling lout. It's even better to see a working mom depicted with care.

Lisa Kennedy, Denver Post, 2014-10-17


St. Vincent is no conventional hagiography but it's the movie world's equivalent - a star vehicle. Give director Melfi credit for knowing the capacity of the engine he has under its hood.

Liam Lacey, Globe and Mail, 2014-10-17


"St. Vincent" may not be a great movie, but it is a great lot of fun to watch.

Tom Long, Detroit News, 2014-10-17


Murray, with a stable of eccentric characters ranging across the landscape of his career, has selected increasingly idiosyncratic roles in recent years. Vincent is no exception.

James Berardinelli, ReelViews, 2014-10-16


Murray, of course, makes it all work well enough.

Moira MacDonald, Seattle Times, 2014-10-16


Bill Murray is one of those actors blessed with the gift of making bad behavior seem grizzled and adorable. It's a valuable tool in any funny person's kit, and Murray uses it to carry the benignly naughty St. Vincent above its material.

Chris Vognar, Dallas Morning News, 2014-10-16


It's a familiar premise - we've seen similar stuff in "Little Miss Sunshine" and "Up" - but it sails ahead on the collective charms of its ensemble cast.

Colin Covert, Minneapolis Star Tribune, 2014-10-16


A movie with laughter, soul and a twisting path to the heart.

Peter Howell, Toronto Star, 2014-10-16


You just wonder how much more fun it could have been.

Bill Goodykoontz, Arizona Republic, 2014-10-16


[Murray's] freewheeling, deadpan image fuses so thoroughly with Vincent's own endearingly grizzled misanthropy that it's hard to tell where the actor ends and the geezer begins.

Ann Hornaday, Washington Post, 2014-10-16


Of course, Murray is the star attraction here, in a role that's both fan-friendly and reminiscent of the range he showed in "Broken Flowers" and "Lost in Translation."

Joe Williams, St. Louis Post-Dispatch, 2014-10-16


The broader visual comedy lacks finesse. But the actors win out.

Michael Phillips, Chicago Tribune, 2014-10-16


If St. Vincent flirts with sappiness - it does, and how - Melfi has struck gold in the pairing of Murray and Lieberher.

Steven Rea, Philadelphia Inquirer, 2014-10-16


Sentimental slop.

J. R. Jones, Chicago Reader, 2014-12-04


One of these days, someone should make a movie about a really nasty old guy who, by the end of the story, is still a nasty old guy.

Mick LaSalle, San Francisco Chronicle, 2014-10-17


What is Murray doing in this sort of tapioca?

Ty Burr, Boston Globe, 2014-10-16


The movie slumps into the hokey, and the actor's curdled misanthropy makes way for a soothing, implausible uplift.

Anthony Lane, New Yorker, 2014-10-13

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