Ingmar Bergman's best film, I suppose, though it's still fairly tedious and overloaded with avant-garde cliches. full review
Bergman has come up with probably one of his most masterful films technically and in conception, but also one of his most difficult ones. full review
Miss Ullmann and Miss Andersson just about carry the film -- and exquisitely, too. full review
A film we return to over the years, for the beauty of its images and because we hope to understand its mysteries. full review