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The Joneses

Keeping up with the Joneses (Demi Moore, David Duchovny, Amber Heard and Ben Hollingsworth) is next to impossible, considering they're a family with good looks, fancy cars, a sprawling estate -- and a shocking secret the neighbors would never guess. Gary Cole, Glenne Headly and Lauren Hutton co-star in this smart drama about the dark side of a material world from writer-director Derrick Borte.
HD Available
Netflix Rating: 3.4
Rotten Tomatoes: Fresh 61%
It doesn't pursue its subversive premise as far as it should, but The Joneses benefits from its timely satire of consumer culture -- as well as a pair of strong performances from David Duchovny and Demi Moore.
Fresh: 66   Rotten: 43   Rotten Tomatoes page
Top Rotten Tomatoes Critics

The cons should leave the audience a little breathless; instead, Borte goes for an indistinct tone and suburban-malaise vibe that was dated (as well as patronizing) when American Beauty came out. full review

Michael Phillips, Chicago Tribune

There's a nicely cynical streak at the heart of The Joneses, until Borte goes soft and lets the audience off the hook. full review

Bill Goodykoontz, Arizona Republic

Mr. Borte conjures up a pleasant Stepford that runs less on robotic conformity than on endless, anxious competition. The key to the film is that it allows this life to have some real appeal. full review

A.O. Scott, New York Times

A cheeky little commentary on modern consumption, The Joneses offers an uneasy balance between what's funny and what's not, staying just edgy enough to be uncomfortable while hitting its targets. full review

Tom Long, Detroit News

[Demi Moore is] She's one reason to see writer-director's Derrick Borte's zeitgeist fable The Joneses. Though she's not the only one. full review

Lisa Kennedy, Denver Post

It makes for good, although not great, satire of the consumer culture that helped wreck the economy. full review

David Germain, Associated Press

By the end, The Joneses feels a little too satisfied with its own admittedly clever conceit and for the broad leeway it allows itself in the creative bandying of logos and slogans. full review

Dan Kois, Washington Post

The Joneses is a black comedy about stealth marketing made by a filmmaker who's evidently much too close to the subject to bite the hand that feeds him. full review

Lou Lumenick, New York Post

The all-important production design perfectly captures a generation of unthinking consumers. And Moore and Duchovny, who have great chemistry, are strong enough to make the most of a script that really needed another rewrite. full review

Elizabeth Weitzman, New York Daily News

You walk out of it thinking, that's totally plausible and, while sick, a great idea. full review

Mary F. Pols, MSN Movies

The premise of this social satire is so enjoyable you keep trying to believe it even though it makes no sense full review

J. R. Jones, Chicago Reader

Crass materialism and ridiculous marketing ploys are skewered by writer/director Derrick Borte in this uneven cautionary tale that starts off incisively funny, then devolves into preachiness. full review

Claudia Puig, USA Today

Almost everything about The Joneses, from the transparent plot twists to the winking irony of the golf-course patter, falls flat. full review

Steven Rea, Philadelphia Inquirer

In its amiable, ambling way, The Joneses is a zeitgeist film: it says as much as a Michael Moore screed about the American way of debt. full review

Richard Corliss, TIME Magazine

The Joneses is a list of grievances nailed to the door of the Church of Materialism, but the hammer never hits the audience's fingers. full review

Michael OrdoƱa, Los Angeles Times

Sometimes the social satire is a bit too obvious, but thanks to a smart screenplay and excellent performances, "The Joneses" is largely successful in delivering on its intriguing premise. full review

Richard Roeper, Richard Roeper.com

The film asks welcome questions about what price we should be willing to pay for "the good life," but ultimately it can't close the deal. full review

Colin Covert, Minneapolis Star Tribune

A generic hash of contrived comedy, romance, and tragedy, the saddest part of which is that a way-cool, high-end riding lawn mower winds up at the bottom of someone's swimming pool. full review

Janice Page, Boston Globe

In an entertaining way, the movie says something challenging, that it's possible to lose your life to stuff -- and never even know it. full review

Mick LaSalle, San Francisco Chronicle
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