Spends 100 minutes dispensing painful examples of how infatuation turns people into idiots. full review
Not too deep but oh so pretty, "Heartbeats" presents a hyper-stylized look at a love triangle, a sort of "Jules and Jim" for millennials. full review
Alas, although Heartbeats is quite lovely to look at, there isn't much going on after all. full review
"Heartbeats" charts its own course. full review
All the dramatic protraction gets at both a heaviness of romantic desire and emotional viscosity. full review
Dolan is proving to be adept at and unafraid of teasing out the flaws of his characters, seemingly more concerned with whether they are interesting than whether an audience will like them. full review
It's a bright, slight romp that seems to want to zero in on the pain and trauma of romantic obsession. If the filmmaker weren't having such fun mocking characters who fall hard while pretending not to, it might just be able to achieve that. full review
"Heartbeats" looks good, and it has some funny dialogue. But there isn't enough to sustain the film's running time. full review
The new movie confirms Mr. Dolan as a wildly talented, carelessly extravagant filmmaker nakedly in thrall to idols like Wong Kar-wai, Jean-Luc Godard, Francois Truffaut, Bernardo Bertolucci and Pedro Almodovar. full review
The film couples high comedy with spiritual solitude. That's not just a slo-mo stunt, it's a cockeyed triumph. full review
[A] madly stylish Montreal-made delight... full review
Xavier Dolan is the new darling of Canadian cinema, and it's easy to see why. full review
An undeniable triumph of artifice, Heartbeats acts as a kind of bizarro fantasy mirror, aestheticizing and glamorizing the madness that arises from unrequited sexual obsession, as drunk on beauty and blind to truth as its deluded singles. full review
Girl likes boy who likes boy (or maybe he doesn't) sounds like that recent reality-TV scenario, but there's very little reality at play in this hollowed-out, tricked-up Montreal-based drama. full review
Quebec director Xavier Dolan's follow-up to his precocious art-house hit, I Killed My Mother, is a sweet and creamy, puffed-up dessert of a film. full review
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