Certainly only luck can explain the fortuitous conjunction of a strong commercial property like Ira Levin's novel with a strong directorial personality like Roman Polanski without the novel being distorted or the director diluted. full review

Even readers of the book who know how Baby comes out are in for a pleasant surprise: the very real acting ability of Mia Farrow. full review

One of the finest horror films ever made. full review

Having escaped the horrors of the Nazi Holocaust in Poland by the skin of his teeth, Mr. Polanski was well equipped psychologically to re-imagine what was, before Rosemary's Baby, a B-picture genre into an A-picture genre. full review

Get your fix of Mia Farrow looking terrified in Roman Polanski's iconic 1968 thriller Rosemary's Baby. full review

Several exhilarating milestones are achieved in Rosemary's Baby, an excellent film version of Ira Levin's diabolical chiller novel. full review

Superbly acted (especially by bone-thin Farrow and Ruth Gordon as the ultimate neighbor from hell), it's a satantango in the land of Is-this-real-or-am-I-crazy?, with a luridly literal ending that doesn't negate the previous, more interior terrors. full review

A very sophisticated, very effective piece of work spun from primal images, with an excellent cast. full review

It should establish Mia Farrow as an actress of stature and Roman Polanski as a name which will be remembered. full review

It is a creepy film and a crawly film, and a film filled with things that go bump in the night. It is very good. full review

The movie -- although is it pleasant -- doesn't seem to work on any of its dark or powerful terms. full review

The devil may come in many forms, but few have been more entertaining. full review

Hunched, black-eyed, leering, John Cassavetes's Guy is a contaminated satanic canal in himself. full review