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Gangster No. 1

This story follows the violent rise and fall of the title character, an unnamed East End London thug (played by Paul Bettany and, at a later age, Malcolm McDowell) who gets hired by high-profile gangster Freddie Mays (David Thewlis). The eager young gun -- an irredeemable, inhumane psychopath obsessed with power -- eventually replaces his boss as top gangster by way of lies, manipulation and murder.
Netflix Rating: 3.3
Rotten Tomatoes: Fresh 73%
Consensus: Gangster No. 1 is brutally violent, yet also compelling.
Fresh: 37   Rotten: 14   Rotten Tomatoes page
Top Rotten Tomatoes Critics

A movie that hovers somewhere between an acute character study and a trite power struggle. full review

Rick Groen, Globe and Mail

Director Paul McGuigan and cast infuse the proceedings with a strong dose of psychotic gusto and visual flare. full review

Chris Vognar, Dallas Morning News

Doesn't offer much besides glib soullessness, raunchy language and a series of brutal set pieces ... that raise the bar on stylized screen violence. full review

Edward Guthmann, San Francisco Chronicle

The film has a kind of hard, cold effect. full review

Roger Ebert, Chicago Sun-Times

Gangster No. 1 is solid, satisfying fare for adults. full review

Kevin Thomas, Los Angeles Times

They crush each other under cars, throw each other out windows, electrocute and dismember their victims in full consciousness. And we don't avert our eyes for a moment. full review

Jan Stuart, Newsday

Just watch Bettany strut his stuff. You'll know a star when you see one.

Peter Travers, Rolling Stone

Certainly the performances are worthwhile. full review

Elvis Mitchell, New York Times

Seeks to transcend its genre with a curiously stylized, quasi-Shakespearean portrait of pure misogynist evil. full review

Andrew Sarris, New York Observer

A canny, derivative, wildly gruesome portrait of a London sociopath who's the scariest of sadists. full review

Owen Gleiberman, Entertainment Weekly

As happily glib and vicious as its characters. full review

Michael Atkinson, Village Voice

It's more than a rip-off of Guy Ritchie's Lock, Stock and Two Smoking Barrels, but less than the Pulp Fiction-esque genre-bender it aspires to be.

Megan Turner, New York Post
full review by Derek Elley, Variety
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