A.O. Scott, New York Times

  1. Generation War 2014 As television drama, Generation War is unquestionably effective. As dramatized history, it is pretty questionable. full review
  2. Jimmy P. 2014 [A] ruminative, gentle and absorbing new film. full review
  3. Omar 2014 "Omar" does not offer the promise of a just or satisfying resolution, a fatalism all the more devastating given its realistic methods and humane, understated performances. full review
  4. Stranger by the Lake 2014 "Stranger by the Lake" is seductive and fascinating, but it is also a bit trapped in its own conceit, and in its carefully maintained emotional detachment. full review
  5. 20 Feet From Stardom 2013 This generous, fascinating documentary about the careers of backup singers, most of them African-American women, seeks to rewrite the history of pop music by focusing attention on voices at once marginal and vital. full review
  6. Adore 2013 Ms. Wright and Ms. Watts address their roles with skill and conviction, but this has the effect of making the story seem even more fanciful and absurd. full review
  7. After Tiller 2013 "After Tiller" is impressive because it honestly presents the views of supporters of legal abortion, and is thus a valuable contribution to a public argument that is unlikely to end anytime soon. full review
  8. As I Lay Dying 2013 As a whole ... "As I Lay Dying" conveys some of Faulkner's themes, and the details of the Bundren family story, with clarity and concision. full review
  9. Augustine 2013 Ms. Winocour is not inclined to turn "Augustine" into a neatly moralized fable of a predator and his victim. Rather, the film is what might be called a melodrama of transference ... full review
  10. Computer Chess 2013 Artificial intelligence remains an intoxicating theory and a heady possibility, about which I am hardly qualified to speak. But I do know real filmmaking intelligence when I see it. full review
  11. Cutie And The Boxer 2013 A movie that makes you feel less like a spectator than a guest, a friend welcomed into the home of an odd and fascinating couple. full review
  12. Drinking Buddies 2013 Mr. Swanberg's camera weaves through bodies at rest, at work and at the bar in no particular hurry, and his script captures the idioms of men and women who are equally inclined to waste words and to say very little. full review
  13. Escape From Tomorrow 2013 None of it is as scary or as funny as it should be, and what starts out as a sly thumb in the eye of corporate power ends up as a muddled and amateurish homage to David Lynch. full review
  14. Gimme The Loot 2013 Sofia is intense and unsmiling, while Malcolm is a charming, goofy chatterbox, and they make a vivid impression, even without spray paint. full review
  15. Hannah Arendt 2013 My only real problem with "Hannah Arendt" is that it's not a mini-series. full review
  16. A Hijacking 2013 Lindholm turns tedium and frustration into agonizing suspense. full review
  17. In the House 2013 The dexterity of the actors and their director is not quite enough, and as "In the House" accelerates, it also starts to sputter, piling on incidents and revelations that cause its web of implications to unravel. full review
  18. John Dies at the End 2013 It zigs, zags and trips over its own feet and on its own home-brewed hallucinogens. It's a ridiculous, preposterous, sometimes maddening experience, but also kind of a blast. full review
  19. Leviathan 2013 [It] offers not information but immersion: 90 minutes of wind, water, grinding machinery and piscine agony. full review
  20. LUV 2013 It does not entirely succeed, but at its best "Luv" shows the kind of heart and intelligence that is always welcome - and often missing - in American movies. full review
  21. Metallica Through the Never 2013 Despite swooping camera movements and elaborate stagecraft, the film produces detachment rather than immediacy. full review
  22. Mother Of George 2013 Human beings are mysterious and surprising. There is something irresistible about a movie that reaches that conclusion. full review
  23. Mud 2013 Mr. Nichols's voice is a distinctive and welcome presence in American film. full review
  24. Museum Hours 2013 This movie is rigorously and intensely lifelike, which is to say that it's also a strange and moving work of art. full review
  25. Olympus Has Fallen 2013 Sadly, Mr. Butler lacks the wit and the range to convey anything other than grouchy belligerence, and the script, by Creighton Rothenberger and Katrin Benedikt, seems intent on squandering opportunities to be clever or interesting. full review
  26. Passion 2013 "Passion" is often sleek and enjoyable, dispensing titillation, suspense and a few laughs without taking itself too seriously. full review
  27. Prince Avalanche 2013 Mr. Green is too fond of these guys, and too respectful of the little bit of freedom they possess, to ensnare them in the machinery of a plot. full review
  28. The Selfish Giant 2013 The nonprofessional actors who play Arbor and Swifty have an easy, unself-conscious rapport, and convey both the bond between the friends and its gradual fraying. full review
  29. Something in the Air 2013 Mr. Assayas's method is observant and immersive. His camera moves among young bodies like an invisible friend, and his somewhat messy narrative is propelled by fidelity to feeling rather than by the machinery of plot. full review
  30. The Square 2013 "The Square," while it records the gruesome collision of utopian aspirations with cold political realities, is not a despairing film. full review
  31. The Taste of Money 2013 Both bitter and delicious. full review
  32. Turbo 2013 Even in the absence of originality, there is fun to be had, thanks to some loopy, clever jokes (the script is by Darren Lemke, Robert Siegel and David Soren, who directed) and a lively celebrity voice cast ... full review
  33. Twice Born 2013 Whatever thoughtful instincts Mr. Castellitto might possess are undermined by his addiction to cinematic prettiness. full review
  34. Venus And Serena 2013 Think of this movie as a greatest-hits package, with some good stuff to show but nothing very new to say. full review
  35. World War Z 2013 [It] does not try to extend the boundaries of commercial entertainment but does what it can to find interesting ways to pass the time within them. full review
  36. 2 Days in New York 2012 The film, which is about a chaotic 48 hours in Marion's life, succumbs to the chaos it depicts, and so undermines its best intentions. It is, all in all, a likable mess. full review
  37. 5 Broken Cameras 2012 "5 Broken Cameras" provides a grim reminder - just in case you needed one - of the bitter intractability of the Israeli-Palestinian conflict. full review
  38. Alps 2012 Oblique connections are the threads that hold this film together, as Mr. Lanthimos moves from one somber, deliberate scene to the next. full review
  39. Marvel's The Avengers 2012 The light, amusing bits cannot overcome the grinding, hectic emptiness, the bloated cynicism that is less a shortcoming of this particular film than a feature of the genre. full review
  40. Beware Of Mr. Baker 2012 Mr. Bulger ... does not let "Behind the Music" sensationalism overwhelm the music itself, which is Mr. Baker's great passion and the only reason anyone should take an interest in him. full review
  41. Blancanieves 2012 "Blancanieves" deftly blends cinematic antiquarianism, period atmosphere and primal emotions. full review
  42. Cirque Du Soleil: Worlds Away 2012 Even if the film is no substitute for the real thing, it is at least an effective advertisement. full review
  43. Dark Horse 2012 Its departures from realism have the effect of enlarging the narrow, unremarkable lives that are its focus, and by extension the audience's sense of what those lives might mean. full review
  44. For Ellen 2012 It teeters on the line that separates drama from anecdote. full review
  45. The Grey 2012 It's a fine, tough little movie, technically assured and brutally efficient, with a simple story that ventures into some profound existential territory without making a big fuss about it. full review
  46. Hara-Kiri: Death of a Samurai 2012 More moving than shocking, it proceeds slowly and gracefully, and the few scenes of bloodshed are emotionally intense rather than showily sensational. full review
  47. In Another Country 2012 A movie may be a representation of the world, but it is also something that happens in the world, which means that sustaining a cinematic illusion and breaking it are equally beside the point. full review
  48. The Innkeepers 2012 Luke and Claire are guilty, above all, of being dumb and bored. Even their interest in the ghost that may dwell in the dark corners of the Pedlar seems tepid and lacking in conviction. full review
  49. The Intouchables 2012 It is possible to summarize the experience of watching "The Intouchables" in nine words: You will laugh; you will cry; you will cringe. full review
  50. The Invisible War 2012 This is not a movie that can be ignored. full review
  51. The Island President 2012 The hope that infuses this movie makes it all the more upsetting to walk out of the theater and contemplate a looming disaster that the world's leaders seem unable to prevent. full review
  52. Last Call at the Oasis 2012 Ms. Yu, who has directed scripted television episodes as well as documentaries, wraps a lot of bad news into a slick, informative, fast-moving package. full review
  53. The Loneliest Planet 2012 It is gripping and haunting, but also coy and elusive. full review
  54. Oslo, August 31st 2012 "Oslo, August 31st" has the satisfying gravity of specific experience, and also, true to its title, a prickly sense of place. full review
  55. Post Mortem 2012 [A] grim, intense, mordantly comic little film... full review
  56. The Queen of Versailles 2012 Captures the tone of the times with a clear, surprisingly compassionate eye. full review
  57. Radio Unnameable 2012 It can make you wish - or, if you're lucky, remember - that you were a sleepless New Yorker in 1967, kept from loneliness by a gentle, soulful voice on the radio. full review
  58. The Raven 2012 Mr. Cusack works himself into a lather trying to reconcile the contradictory parts of an incoherent character. In, I am sorry to say, an incoherent movie. full review
  59. A Royal Affair 2012 Unfortunately it never fully comes to life. full review
  60. The Sapphires 2012 A solid, stirring song sung with more sincerity than polish. full review
  61. Side by Side 2012 For a film geek this movie is absolute heaven, a dream symposium in which directors, cinematographers, editors and a few actors gather to opine on the details of their craft. full review
  62. Welcome To Pine Hill 2012 [It] relies on understatement and indirection to arrive at a powerful and resonant meaning. full review
  63. The Eagle 2011 Lumbering along for a bit less than two hours, which passes like three, it feels more like a chore than like an adventure. full review
  64. Goodbye First Love 2011 It examines, with compassion and clarity, a young woman's discovery of passion and also of the pain, disappointment and partial wisdom that follow. full review
  65. Into The Abyss 2011 The paradox of this film is that it is both unremittingly bleak and rigorously humane. full review
  66. Keep the Lights On 2011 The look, mood and rhythm of the film are exquisitely, even thrillingly authentic. full review
  67. The Other Woman 2011 A not-bad movie (written and directed by Don Roos) based on a pretty good book ("Love and Other Impossible Pursuits" by Ayelet Waldman). full review
  68. Our Idiot Brother 2011 A thin, unconvincing movie made likable by the charm and skill of its cast and by a script peppered with wit and insight. full review
  69. Pina 2011 The power and intelligence of Bausch's approach, which at times seems more cerebral than sensual, is communicated. full review
  70. Polisse 2011 [A] long, unruly, gripping film. full review
  71. Sarah Palin: You Betcha! 2011 It feels warmed over, devoid of urgency and, in spite of Mr. Broomfield's on-camera displays of doggedness, lacking in curiosity. full review
  72. Armadillo 2010 You emerge shaken and bothered, which may sound like a reason not to see the movie. It is actually the opposite. full review
  73. Casino Jack 2010 Mr. Hickenlooper's oddly apolitical caper film loses itself in the puzzle of its protagonist's personality. full review
  74. Greenberg 2010 The funniest and saddest movie Mr. Baumbach has made so far, and also the riskiest.
  75. If I Want To Whistle, I Whistle 2010 The seams of the narrative start to show, and by the end you are more aware of the filmmakers' ideas than of the character's life. full review
  76. The Joneses 2010 Mr. Borte conjures up a pleasant Stepford that runs less on robotic conformity than on endless, anxious competition. The key to the film is that it allows this life to have some real appeal. full review
  77. The Kids Are All Right 2010 The performances are all close to perfect, which is to say that the imperfections of each character are precisely measured and honestly presented. full review
  78. Night Catches Us 2010 Night Catches Us, a politically sophisticated and ethically serious film, makes no big speeches or obvious points. full review
  79. Restrepo 2010 Has the spare, lyrical force of an elegy.
  80. Smash His Camera 2010 Mr. Galella emerges as a kindred soul for the curious documentarian and as a large, complicated personality in his own right. full review
  81. Beeswax 2009 At first glance a modest, ragged slice of contemporary life, turns out to be a remarkably subtle, even elegant movie. Its leisurely scenes and hesitant, circling conversations conceal both an ingenious comic structure and a rich emotional subtext. full review
  82. Antichrist 2009 The scandal of Antichrist is not that it is grisly or upsetting but that it is so ponderous, so conceptually thin and so dull.
  83. The Boys Are Back 2009 The problem is that the movie always takes the easy way, scattering a few heavy, confrontational scenes among acres of picturesque montages. full review
  84. Cairo Time 2009 If Cairo Time does not amount to much, it does evoke a wistful state of feeling and a complicated city with enough skill and sensitivity that you wish it had dared more. full review
  85. Dare 2009 Dare feels a bit unfinished, at once overreaching and underrealized. But there is a lot of intelligence, and considerable daring, in the basic conceit. full review
  86. Double Take 2009 Hitchcock was a master of mischief and misdirection, and no film so thoroughly infused with his spirit could be dull or predictable. full review
  87. Fish Tank 2009 The contradictions of adolescence have rarely been conveyed with such authenticity and force.
  88. The Secret of Kells 2009 It is only fitting that a movie concerned with the power and beauty of drawing -- the almost sacred magic of color and line -- should be so gorgeously and intricately drawn.
  89. The Time That Remains 2009 A thorny and intricate film that is also breathtakingly simple and honest. full review
  90. Bronson 2008 A bit like Stanley Kubrick's Clockwork Orange reimagined as a one-man stage show and stripped of any political implications. full review
  91. The Burning Plain 2008 The elliptical structure of the narrative can't cover up its overheated, half-baked banality. full review
  92. New York, I Love You 2008 But in spite of some attempts at human and neighborhood variety, the stories have a self-conscious sameness, as if they were classroom assignments in an undergraduate fiction-writing class.
  93. Beaufort 2007 Beaufort may be, strictly speaking, a war movie, but for long stretches it feels more like science fiction.
  94. Eagle vs. Shark 2007 One of those movies that invite you to laugh at its misfit characters and empathize with them at the same time.
  95. Hot Rod 2007 Hot Rod might be called the poor man's Eagle vs. Shark. Poor certainly describes the quality of the filmmaking.
  96. Munyurangabo 2007 Munyurangabo uses the fine-grained techniques of cinematic neorealism to illuminate the psychological and emotional landscape of a still-traumatized place.
  97. The Wind That Shakes the Barley 2006 ... the history presented in "The Wind That Shakes the Barley" hardly feels like a closed book or a museum display. It is as alive and as troubling as anything on the evening news, though far more thoughtful and beautiful.
  98. Cold Mountain 2003 As they might have said in the old days, this sweeping historical romance is one heck of a classy picture which is both its great virtue and its limitation. full review
  99. Fidel 2002 This is an exercise not in biography but in hero worship. full review
  100. Get Over It 2001 May be halfhearted, but it's not entirely without heart. full review
  101. The Glass House 2001 A thriller that does not mean to be comical but that inspires more howls of laughter than shivers of dread. full review
  102. The Score 2001 A spiritless, unimaginative exercise in professionalism for its own sake. full review
  103. Waking Life 2001 full review
  104. All the Pretty Horses 2000 A boy's adventure story that has mistaken itself for an epic, and it rattles around in its own ambitions like a child's head in a 10-gallon hat. full review
  105. Blow Dry 2000 Blow Dry seems both overplotted and underimagined. full review
  106. Committed 2000 All in all, Committed lacks the courage of its convictions. full review
  107. Live Nude Girls Unite! 2000 full review
  108. Love's Labour's Lost 2000 Even though Love's Labour's Lost is, in showbiz terms, a turkey stuffed with chestnuts, you wouldn't trade it for a pot of gold. full review
  109. The Tigger Movie 2000 The songs seem to have been written over lunch at the Disney cafeteria. full review
  110. The Virgin Suicides 1999 More than most recent movies about suburban adolescence, The Virgin Suicides catches both the triviality and the grandeur of youth, its prosaic details and its mythopoetic flights. full review
  111. Don't Let Me Die On A Sunday 1998 full review
  112. East Is East 1998 full review
  113. Solo Con Tu Pareja 1991 Like Y Tu Mamá También, Alfonso Cuaróns first feature, made 15 years ago, is a rambunctious sex comedy shadowed by mortality.
  114. M*A*S*H 1970 full review
  115. Charade 1963 full review
  116. His Girl Friday 1940 full review
  117. /titles/197693 The idea seems to have been to explore how little sense a movie could make, and how little that could matter, and also to allow Mr. Costner to indulge in some good-natured sadism and a bit of middle-aged sentimentality. full review
  118. /titles/199596 Mr. Johnsen offers viewers the challenge and pleasure of an important artist's company, and a chance to appreciate anew his wisdom, his wit and his bravery. full review
  119. /titles/197053 He manages, just barely, to keep the project from going soft, and to keep us perched between finding Alan Partridge unbearable and admitting that we kind of enjoy his company. full review
  120. /titles/197463 The best thing that can be said about Boys and Girls is that it is studiously inoffensive. full review
  121. /titles/198169 It is digressive, jokey, giddily brutal and ferociously profane. But it is also a troubling and important movie about slavery and racism. full review
  122. /titles/198368 If "Dormant Beauty" does not rank among Mr. Bellocchio's best movies, it nonetheless still occasionally shows him at his best. full review
  123. /titles/197743 The kind of movie that may have been more satisfying to make than it is to watch. full review
  124. /titles/197832 Maybe I'm hopelessly mired in my own private Retroville. After Jimmy Neutron was over, I felt glassy-eyed and a little headachy. full review
  125. /titles/199335 The portrait of an individual whose actions still defy comprehension, and the self-portrait of an artist consumed by the past. full review
  126. /titles/199378 More than four hours long, filmed in expansive takes with almost no close-ups and very few camera movements, Lav Diaz's "Norte, the End of History" is a tour de force of slow cinema. full review
  127. /titles/197294 The problem with "Nymphomaniac: Volume II" lies not in its display of erect penises and reddened buttocks, but rather in its dull narrative and overworked ideas. full review
  128. /titles/197090 The experience of watching the film can be vertiginous: You toggle between the tiny and the infinite, between eternity and the real time of the recent past. full review
  129. /titles/197467 If Judith ... were asked to render a diagnosis of what's wrong with Saving Silverman, she might note that it displays a pathological fear and hatred of women. full review
  130. /titles/197462 Snow Day fails both as arrested-development farce and as teen-age romantic comedy. full review
  131. /titles/198061 One of the delights of Mr. Ives's play, and of Mr. Polanski's nimble rendering of it, is the way it jumps in and out of the play within. full review
  132. /titles/197416 What is most striking about this movie is how un-self-conscious it is as it conducts a prurient and superficial inquiry into adolescent female sexuality. full review

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