Detachment2012
The movie works, and, though it cries out against so much, you sense that the one thing it does not cry is wolf.
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Headhunters2012
Clearly, there are streaks of farce in all this, as well as serious cracks in logic, and those who like their black comedy done to a crisp will happily feast on what Tyldum dishes up.
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Take This Waltz2012
Your best option, perhaps, is to zone out from the implausible kinks in the setup... This will leave you free to savor the compositions and the melted-candy color schemes.
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Albert Nobbs2011
What you feel, watching Close, is not that you are watching gender being bent into new, absorbing shapes but that you might as well have stayed home and leafed through a book on Magritte.
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Coriolanus2011
What remains, in distilled form, is the poetry of violence and contempt-the source of the play's unfailing reputation for political threat and mischief.
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The Names of Love2011
Leclerc pays such lavish homage, in the construction of his film, to golden-age Allen; the moments at which a bewildered Arthur consults his teen-age self could have come straight out of "Annie Hall."
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Biutiful2010
The movie's mood might well have proved unendurable were it not for the proud and sympathetic presence of Bardem.
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Cave of Forgotten Dreams2010
Herzog's voiceover is, as always, more entertaining than most film soundtracks. The film has a touch of that gray fuzz which still afflicts 3-D, but the Chauvet cave is a perfect candidate for such technology, because it stashes its secrets in a recess.
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Centurion2010
The film has a resigned bitterness, hard to shake off, that feels right for the experience of tough guys, from whatever period of history, who find themselves at the tattered edge of what they take to be civilization.
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Exit Through The Gift Shop2010
Exit Through the Gift Shop feels dangerously close to the promotion of a cult -- almost, dare one say it, of a brand.
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Four Lions2010
Might this not have worked better, and conjured more startled outrage, as a mock documentary on TV?
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I Am Love2010
The best sex you will get all year, if that's what you crave in your moviegoing, is between Tilda Swinton and a prawn.
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Nowhere Boy2010
Taylor-Wood has specialized in video installations and off-kilter portraits, and it was tempting to hope that her take on Lennon would unsettle and provoke. Instead, she stays resolutely on-kilter, as if awed into numbness by her subject.
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Rabbit Hole2010
With performances like these, the result is not so much an issue movie as a study of human quiddity and stubbornness under siege.
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Senna2010
It's stripped of narration, talking heads, and anything else that might threaten to slow it down.
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Bruno2009
Wholly unsuitable for children, yet propelled by a nagging puerility that will appeal only to those in the vortex of puberty, or to adults who have failed to progress beyond it.
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Creation2009
As a journey through Darwin's discoveries, Creation fails, although, given the intricacy and the patience of his working methods, it is hard to imagine how such a film might succeed.
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The Girl with the Dragon Tattoo2009
Noomi Rapace throws herself into the title role, but something about the conception of her character, and about the far-reaching urgency of the sociopathic shocks behind the killing, smacks of a filmmaker pushing too hard.
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Soul Kitchen2009
Not to warm to this movie would be churlish, and foodies will drool on demand; I recommend the shoal of silvery fish, spitting in a wide pan and awaiting its rain of lemon.
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The Time That Remains2009
To keep a steady gaze, the film suggests, is not just a virtue but a form of orderly protest, when your world is breaking apart.
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Deep Water2006
Deep Water confirms all the mythical terrors that lurk in our dreams of the sea, and the best person to watch it with would be Melville.
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Mission: Impossible III2006
The grand finale? A fistfight, after which somebody gets run over. Listen, if I want to see that kind of action, I don't go to Shanghai. I don't even go to the movies. I go to the South Bronx and stand outside a bar.
Conversations With Other Women2005
It may be dotted with fine observations, yet somehow the charm of its novelty grows stale, and the airless feeling of a closed set begins to fester.
Factotum2005
The beautiful joke of Factotum is that Dillon is nobility itself.
Inside Deep Throat2004
Deep Throat bore an X certificate. Inside Deep Throat is an NC-17. Neither is suitable for grownups.
Touching the Void2003
The facts drop away, and it becomes impossible not to read the movie symbolically -- as a journey to the center of the earth, or farther still.
Braveheart1995
The political argument that ensues is pretty dull, but the battle scenes are the loudest and most convincing in years: Gibson has learned from Kurosawa in lending a clarifying thrust to what is, essentially, chaos.
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