Ballplayer: Pelotero2012
[The] Directors...try to soften...ugly truths with sentimental stories of teenagers getting signed and pulling their families out of poverty, but the portrait of widespread exploitation overwhelms the intended effect...[ END HERE ]of these subplots
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Blue Like Jazz2012
An uncommon thoughtfulness about spiritual issues distinguishes this otherwise generic coming-of-age story.
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Brooklyn Castle2012
The message is that chess can motivate working-class kids to become better students, and though that's nice to know, the movie doesn't illustrate this theme in much depth.
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Fat Kid Rules the World2012
The depiction of high school band life rings true at every turn, bringing a sense of authenticity to the familiar teenage drama.
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For Greater Glory2012
As generic as the title, this historical drama spares no cliche in depicting Mexico's Cristero War of the late 1920.
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Headhunters2012
The scenes of graphic violence are drawn out to the point where they overwhelm the story.
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The Hunger Games2012
Director Gary Ross generally avoids the elaborate exterior shots and special effects that dominate high-concept blockbusters.
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Kill List2012
Wheatly aims for something like moral complexity by having one of the killers believe in God and the other aspire to be a good husband and father, but once the graphic violence starts, it upstages everything else.
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L!fe Happens2012
Set in Los Angeles, this unfunny comedy succeeds only in perpetuating the worst stereotypes about that city.
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Nobody Walks2012
This dreary independent drama is essentially an art-world soap opera, but without the melodramatic verve that makes some soap operas interesting.
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North Sea Texas2012
This debut feature by noted short-film director Bavo Defurne emphasizes ambiance over storytelling, but that ambiance is so flavorsome you might not mind.
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The Snowtown Murders2012
Your appreciation of this Australian horror movie will depend on whether you think its artistry justifies its unrelenting ugliness.
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Somewhere Between2012
There's not much interpersonal drama here, and the little that materializes gets promptly resolved.
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Unforgivable2012
It's clearly the work of a master storyteller, conveying a rich, novelistic sense of character and a poetic feeling for the passing of time.
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The Woman in the Fifth2012
The movie casts such a seductive air of mystery that the resolution feels anticlimactic, yet there's plenty to enjoy along the way, particularly Hawke's nuanced lead performance as a quiet man with secrets of his own.
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Gerhard Richter Painting2011
The works in question express a delicate balance between spontaneity and rigid formal control -- seeing Richter at work is a bit like watching a great trapeze artist.
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House of Pleasures2011
It emphasizes setting over character and plot; and it casts a mood that's both eerie and entrancing.
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The Kid with a Bike2011
Makes a powerful statement about the plight of unwanted children. But it also incorporates elements of melodrama, film noir, and even the fairy tale that engage our empathy and confirm the Dardennes' great compassion.
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Make Believe2011
This tension between self-expression and professional advancement is fascinating material, but first-time director-editor J. Clay Tweel avoids the nuance that might have brought it to life.
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Polisse2011
Rarely does one see a movie so knowing in some respects and so clueless in others.
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Scream 42011
This is quite effective as horror filmmaking and more pungent than anything [Craven's] done in a while.
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Stake Land2011
Mickle's observation of a devastated working-class America is so sharp that the horror elements, though effectively handled, come to feel like an afterthought.
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Young Goethe In Love2011
Like a porcelain dish commemorating a famous person, this biopic has little to teach us about the great German writer but sure makes him look adorable.
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Cave of Forgotten Dreams2010
This is one of the few films to use the [3D] format for intellectual, even philosophical ends: the added depth parallels the deeper understanding of humanity that the paintings inspire.
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Centurion2010
Auteur cinema of a very narrow stripe, this personalizes a familiar genre to advance a singularly pessimistic view of humanity.
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Senna2010
Most interesting for the way its construction builds on the inherent austerity of auto racing.
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The Whistleblower2010
Larysa Kondracki's first feature successfully avoids the major pitfalls of the activist docudrama: the main character's heroism never overshadows the larger issue at hand, nor does exposition gum up the storytelling.
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