Black Snake Moan2007
It's a steamy, searing saga of rigorous redemption confronting creepy Southern seediness. But it's not nearly the wake-up call it could have been.
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Broken English2007
Cassavetes supplies no easy answers or easy laughs, forgoing romantic-comedy beats in respect for Nora's desperation. Call this confection a romantic-dramedy with humor on wry.
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Freedom Writers2007
This film fails to earn what Erin Gruwell earned in real life: credibility.
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The Ten2007
Perhaps the Bible needs an 11th Commandment: Thou Shalt Not Bore. That might stem misfires such as The Ten.
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You Kill Me2007
A film whose deft blend of action thrills and gallows humor packs a jaunty kick and a firing-range boom.
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Deep Water2006
For this gripping and amazing documentary, such truth emerges not just from the facts, but also the poetry of men who redefine themselves in a risky race on small sailboats.
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Golden Door2006
Its minutiae don't bring a lump in the throat -- just a drumming of the fingers.
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Severance2006
The cast shows spark and gusto, especially Laura Harris as a vulnerable yet intrepid survivor type and Danny Dyer as a bent druggie who straightens out long enough to fight back.
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This Is England2006
A drama that's so potent and persuasive yet also natural and intimate that it almost has the heft of a documentary.
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Unknown2006
It's a good gimmick, but still a gimmick, and we're left with more confusion than tension.
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Color Me Kubrick2005
One problem is that Malkovich gets free rein to be Malkovich, the often showy actor, rather than Conway, a humble London travel agent. It's a grandstanding performance that's more about hamminess than substance.
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Grizzly Man2005
Though Herzog's approach is chillingly fascinating, it makes this film less about an unusual life than about a bizarre death.
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Land of the Dead2005
Land's gruesomely creative zombie atrocities stretch an R rating's limits like a bloody tendon about to snap.
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Leonard Cohen: I'm Your Man2005
We hardly get to know Cohen from the biographical shorthand melded to a worshipful tribute show in which the Canadian singer-songwriter never even appears.
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Lonesome Jim2005
Jim's characters may grow on you after a slow setup and, like a hot plate of grits, may stick with you.
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The Lost City2005
It's handsome and heartfelt but mired in murky politics, plot inertia, musical montages and painfully pointed symbolism.
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Nine Lives2005
The cast steps up, embracing the chance to exercise acting chops normally limited to live theater. Most do so resoundingly, but two stand out: Robin Wright Penn and Jason Isaacs.
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Sophie Scholl: The Final Days2005
Through it all, Jentsch is a beacon of bravery and resolve in the darkness of a totalitarian machine. If any actor in an English-language film has given a better performance in the past year, I'd like to see it.
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After Innocence2004
After Innocence is a crusading documentary driven by DNA testing that's brought freedom for men who served years in prison for crimes they didn't commit.
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A Good Woman2004
For those in the mood for love, A Good Woman is more than good. It's one of the best films of the new year.
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Little Black Book2004
Starts as the playful romantic comedy, then veers into an ensemble piece about ruthless careerism before settling for melodramatic self-obsession.
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The Hunted2003
Although it is a rough ride, The Hunted is also an exciting one. But no tracking skills were needed to follow its well-traveled cinematic road.
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Bowling for Columbine2002
[Moore's] better at fingering problems than finding solutions. But though he only scratches the surface, at least he provides a strong itch to explore more.
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Nicholas Nickleby2002
With Dickens' words and writer-director Douglas McGrath's even-toned direction, a ripping good yarn is told.
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Stuart Little 22002
It reminds us that Nathan Lane is the best show stealer in show business.
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XXX2002
For all its alleged youthful fire, XXX is no less subservient to Bond's tired formula of guns, girls and gadgets while brandishing a new action hero.
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Atlantis - The Lost Empire2001
Its visuals are executed skillfully, it takes time to develop characters, and its voice cast has personality. But in today's context of broadened animation appeals, Atlantis seems as stale as uncirculated submarine air.
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Tomcats2001
Of course, we expect such films to be tasteless. That's their job. But that doesn't forgive them for being more abusive than bawdy or more sleazy than kinky.
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Wet Hot American Summer2001
For all its failings, Wet Hot maintains energy and high spirits over most of its length. The trouble is, such energy and spirits are not infectious, and the movies it mocks were better.
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Scream 32000
You're bound to scream -- perhaps real loud -- but it may be out of impatient dismay as much as Pavlovian reaction.
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Titan A.E.2000
In a summer driven by wow factors, Titan A.E. has a galaxy's worth.
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Waking the Dead1999
You can embrace this movie's message, which has less to do with political agendas than basic human decency and the enduring power of love. And if that's not enough to make a film worthwhile, we don't know what is.
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Liar Liar1997
Its premise is flimsy, but its payoff is riotously funny.
Beavis and Butt-Head Do America1996
Judge's mirth translates surprisingly well to an 80-minute length, and he exploits the movies' greater scope without sacrificing the show's cheesy charm.
Scream1996
Whatever you do, don't close your mind to such an inventive concoction. One last time, despite all your better instincts, go ahead -- open that theater door.