Being Elmo: A Puppeteer's Journey2011
It is, like Sesame Street, a captivating story for viewers of all ages. Even those unfamiliar with cherry-red Elmo will immediately fall under his spell.
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Conan O'Brien Can't Stop2011
Substantially more than a vanity project if less than a three-dimensional portrait of the human stick figure with the shock of orangey hair.
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Cracks2011
While Scott's movie has a consistent aura, it lacks a consistent tone.
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Justin Bieber: Never Say Never2011
What the 3-D film lacks in cinematic charm and ingenuity is compensated for by its subject's high-wattage charisma and low-key earnestness.
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No Strings Attached2011
Kutcher and Portman have terrific screen physics, using their 12-inch height difference to considerable slapstick effect.
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Polisse2011
The mosaic of cases and caseworkers is like a season of The Wire distilled into two hours.
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Bhutto2010
While their subject is fascinating and her nation's role in propping up the Taliban has had repercussions from New York to India, the filmmakers don't find a straightforward way to tell Bhutto's story.
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The Company Men2010
Though not blessed with a cinematic eye, Wells is a gifted storyteller who gets nuanced performances from most of his actors.
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I Am Love2010
It is not to everyone's taste. But if you like the lush film operas of Rainer Werner Fassbinder, Douglas Sirk, or Luchino Visconti, this one's for you.
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Joan Rivers: A Piece Of Work2010
Joan Rivers: A Piece of Work is [a] testament to the enduring resilience and indefatigable wit of its subject. Age cannot wither her, nor Botox stale her infinite hilarity.
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The King's Speech2010
As the speechmaker and his speech teacher, Colin Firth and Geoffrey Rush elevate each other's game to the stratosphere and beyond.
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Night Catches Us2010
Making a remarkable feature debut, Hamilton distinguishes herself more as a filmmaker than as a screenwriter.
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Nowhere Boy2010
Taylor-Wood captures the sounds and textures of Liverpool and Blackpool, where a new beat is playing in the cafes and clubs.
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Restrepo2010
In their just-the-facts approach, the filmmakers neither pass judgment on the platoon's mission nor comment on U.S. involvement in Afghanistan. In the filmmakers' eyes, the men came, they saw, they didn't conquer; they do reflect.
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Standing Ovation2010
A glittery string of backstage conventions. Backstabbing! Pushy parents! Precocious stars! Blind ambition! But if you're a tween (and don't watch Glee), the cliches will be new to you.
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The Tempest2010
The costumes designed by Sandy Powell - leather gowns and military uniforms, Renaissance in silhouette and detailed with zippers - are the film's most arresting element.
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The Whistleblower2010
Derives its strength from Rachel Weisz's intelligent performance as the real-life Bolkovac.
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Bruno2009
A crude, cringe-worthy, and intermittently funny affair that triggers the gag reflex.
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Creation2009
While the film's flashbacks and -forwards are disorienting, the performances give the film propulsion and poignancy.
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Crossing Over2009
A responsible message movie wrapped in an irresponsible exploitation flick that cries fire in a crowded theater.
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Great Directors2009
Ismailos' 10 mini-profiles might have been better used as DVD extras or a cablecast introduction to an individual director's movie. It's not too late.
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Last Train Home2009
Fan's fly-on-the-wall perspective enables the viewer to empathize with all the players in the family drama, unlikely to have a happy ending.
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The Perfect Game2009
A very sweet, very slight family movie that scores smiles and tears of joy.
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Serious Moonlight2009
More strident than funny, the film illustrates that old French proverb, "Marriage is like a cage; one sees the birds outside desperate to get in, and those inside desperate to get out."
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Defiance2008
Defiance is a wobbly stool, a seat propped up by the uneven legs of ethics debate, Holocaust movie and action thriller. Still, the fascination and novelty of Nazi-killing Jews who don't perish in the death camps packs quite the wallop.
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Elegy2008
The delicious conflict of a thinker poleaxed by his feelings inflames Isabel Coixet's smoldering Elegy, based on Roth's novella The Dying Animal.
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New York, I Love You2008
The result is a dinner of appetizers that are individually tasty, if not completely satisfying.
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Play The Game2008
Surely, there is a way of expressing the joy of sex without the potty-mouthed dialogue that desecrates the persona of a television and movie icon.
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Broken English2007
As a director, Cassavetes is a keen observer of character and social interaction.
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Encounters at the End of the World2007
A contrarian spiritual journey as provocative as it is hypnotic, Herzog's Encounters at the End of the World literally treks to planet's end.
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Evening2007
Evening might be the most shocking waste of natural resources since the despoiling of the Amazon rain forest.
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Phoebe in Wonderland2007
Barnz has made a poignant family movie that, despite its thematic material and brief profanity, is appropriate for mature 10-year-olds and older.
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Save Me2007
This earnest, well-acted melodrama has compassion for all of its characters, who include gay men and the Christians dedicated to healing them of their 'brokenness'.
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Trumbo2007
A ousing documentary as ornery, orotund and captivating as its subject.
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Curious George2006
When children are so into a movie that they don't make a peep or kick the back of your theater seat, it is a success.
Nine Lives2005
[Garcia] leaves you thinking deeply about these people. And leaves you wanting more.
This Film is Not Yet Rated2005
At its best, This Film Is Not Yet Rated, Kirby Dick's hugely entertaining catalog of MPAA follies, inventories the inconsistencies of the institution that has rated films for 40 years.
After Innocence2004
In her clear and compelling film, Sanders lets the innocents do the talking.
Big Fish2004
For me, a Will who wishes she were an Edward, the movie inspired by the Daniel Wallace novel is a minor classic.
A Good Woman2004
It might be empty calories, but A Good Woman is a tasty bonbon, the equal of the recent film version of Wilde's An Ideal Husband.
Vanity Fair2004
The movie has the look and feel of an ornate runaway carriage that cuts its own path through town and country. With Nair at the reins and Witherspoon as the passenger, we are in good hands and spirited company.
Daddy Day Care2003
I don't know whether [Murphy] has lost his mojo, or just his edge. I just hope he finds it before his next movie.
The Hours2002
Though Daldry elicits brilliant performances, particularly from Meryl Streep and Claire Danes, on balance The Hours is more pretentious than penetrating about existential despair.
The Pianist2002
It is a chilling account, as barren of emotions as a Samuel Beckett play, and yet it is indescribably moving.
Spy Kids 2: The Island of Lost Dreams2002
To the delight of gadgetheads and the dismay of the rest of us, Spy Kids' paraphernalia is better developed and considerably more fun than its story.
Bully2001
Closer to teen pornography than to teen tragedy.
Manic2001
While it neither succeeds nor satisfies as drama, it's a great calling card for the actors involved, principally Joseph Gordon-Levitt.
Happy Accidents2000
Anderson constructs a story where past and future converge to redefine present-tense romantic anxiety. And in so doing he offers a redefinition of love.
Malena2000
Renato does not intervene to correct the false impressions of the townspeople, nor does he courageously stand for Malena ... What happens instead is far more compelling, but no less merciful and moving.
Our Song2000
That rare thing, an American movie that looks at teenagers' life with sensitivity and empathy and humanity.
Becket1964
The pleasure of these two extravagantly gifted actors at the top of their game -- their diction! their conviction! their beauty! -- is enormous.
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Gojira1954
Morally compelling aspects of Honda's film lost to Americans are now restored.