17 Girls2012
17 Girls is allegedly inspired by true events, but this diffident, dreamy film is so insubstantial it's hard to believe there's a speck of reality to be found in it.
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Bachelorette2012
Bachelorette will no doubt be divisive, possibly along generational lines. If you have to ask "Do women really talk this way?" it's not for you.
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Bully2012
For a film that understandably only scratches the surface of its topic, Bully carries a devastating emotional punch.
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The Deep Blue Sea2012
That's the difficulty in warming up to The Deep Blue Sea: The first thing we see Hester do is foolish and inconceivable, which makes it hard to get invested in her future.
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Friends With Kids2012
It's funny without being ridiculous, sweet without turning sentimental, even though it involves parenthood.
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A Royal Affair2012
The film ends not on a happy note, naturally, but on a moment of hope. Love may not conquer all, but it has a power all its own.
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The Best and the Brightest2010
The Best and the Brightest is amusing at times but never more than a modest diversion, lacking the cleverness and imagination required to turn it into more than a one-joke movie.
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The Company Men2010
You are always aware of where the story is heading. Still, the film remains relatively entertaining, simply because the scenario hits so close to home, no matter where you work.
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The King's Speech2010
Not merely a spot-on period piece; it's also a heartfelt study in the shadings of courage, a film about duty and friendship that's often warmly funny and sometimes painful to watch.
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Bruno2009
Even if this is the end, we must applaud his audacity, even if we can't always bear to watch it in action. Is this comedic genius? As Bruno would say: Ich think so.
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The Fourth Kind2009
The Fourth Kind may not be the most honest movie in the galaxy, but it's got one thing right: With horror, what you don't see is usually more terrifying than what you do.
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Defiance2008
Defiance may lack the sort of emotional punch that sticks, but its story of courage and responsibility is undeniably compelling.
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Black Snake Moan2007
For Black Snake Moan to work any sort of magic, it must be viewed as a blues riff on damaged souls and their desperate need for salvation.
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Eagle vs. Shark2007
Eagle vs. Shark feels like a low-budget, foreign cousin to Napolean Dynamite, less polished and sly. But it's definitely in the same family, lulling us into friendly acceptance with its persuasively silly rhythm and deceptively big heart.
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Evening2007
Manipulative at times, but it resonates with gleaming ferocity as it unspools a story of regret, longing and resolution in two generations of women.
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Hot Rod2007
With a little help from his friends, [Samberg] has landed his jump with ease the first time on the ramp. Rod would love it. Hells yeah.
Failure to Launch2006
Director Tom Dey throws in so much energetic slapstick that the film feels lively and fresher than it probably should, especially during several scenes involving animal-induced mayhem.
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An Inconvenient Truth2006
Frightening and timely, the smartly organized documentary is an urgent plea for responsibility and action as well as an impassioned call to heed the ominous warnings of science.
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Jackass: Number Two2006
If the judges stuck hooks in the American Idol contestants and used them for bait each week, even I would have to tune in occasionally.
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Last Holiday2006
Last Holiday isn't much more than a fantasy, but it's a sweet one, and it's far more worthy of attention than such hideous garbage as Rumor Has It . . . .
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Casanova2005
The irony of [Sienna] Miller co-starring in a film about the world's most notorious lothario aside, there's not much to love about Casanova.
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The Longest Yard2005
The Longest Yard is packed with many such tiny gifts for insiders, and picking them out is a big part of the movie's charm.
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A Good Woman2004
The barbs fly with zest and impeccable comic timing in A Good Woman.
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Hotel Rwanda2004
All we can do is hope that films such as Hotel Rwanda remind us all -- moviegoer and politician -- of the terrible cost of doing nothing.
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Little Black Book2004
An unfortunate confluence of herky-jerky script, pointless scenes, weak slapstick and too many forays into the Land of the Moronic ... prevents the film from transcending its genre.
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White Chicks2004
White Chicks is tedious and stupid, awkward and juvenile. That it makes not a lick of sense is the least of its problems.
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Mona Lisa Smile2003
There are a few reasons to enjoy the film, namely its likable cast, its noble aim -- of dramatizing one of the many small steps that led to the overhaul of women's higher education -- and its unexpected ability to surprise you.
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The Hours2002
The film actually improves on Cunningham's novel, thanks to gorgeous cinematography, a deft script by playwright David Hare ... a mournful, melodious but never intrusive score by Philip Glass and a superb cast.
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Nicholas Nickleby2002
A terrific adaptation with a delightful cast and a speedy pace that defies belief, considering its lengthy source.
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