John Dies at the End2013
John Dies at the End is joyously heterodox in its method, an everything-but-the-kitchen-sink melange of sci-fi, black comedy, and action, with disquieting body-horror sight gags that at times recall David Cronenberg's Naked Lunch.
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Bachelorette2012
A nasty little piece of work -- a phrase I use not with contempt but with grudging admiration.
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Compliance2012
It's a deeply moral movie about the failure of morality, as grueling to watch as it is necessary.
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Cosmopolis2012
I took a strange pleasure in submitting to this movie's stilted but weirdly poetic rhythms. But I freely acknowledge that for others, enduring Cosmopolis may be less fun than a backseat prostate exam.
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The Dictator2012
Most of The Dictator had me neither laughing nor shocked, but just staring at the screen in anxious is-that-all-there-is? silence.
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The Grey2012
For all its macho standoffs and action set pieces and menacing off-screen howling, The Grey is at heart a simple moral fable about how true heroism consists in helping other human beings to live as long and die as well as they can.
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Haywire2012
Though Carano isn't without a certain glowering charisma, her flat line readings and apparent discomfort with dialogue-heavy exchanges make her seem like a refugee from a different, schlockier movie...
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Holy Motors2012
If nothing else, you'll come out of it feeling perceptually refreshed, as if you'd just had a ride on an aesthetic and philosophical log flume.
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The Hunger Games2012
Director Gary Ross' adaptation, co-scripted by Collins herself, isn't quite as crackingly paced as the novel, but it will more than satisfy existing fans of the trilogy and likely create many new ones.
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Marley2012
Chronologically organized and voiceover-free, the movie is a 145-minute patchwork of old concert footage and talking-head interviews -- lots and lots of them -- from people who knew, loved, and worked with the reggae giant.
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Monsieur Lazhar2012
Fellag, an Algerian comedian and humor writer, anchors the film as the ineffable Bachir, a man who's so private that even the third-act revelation of his back story doesn't fully explain his motivations to us (nor would we want it to).
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Red Hook Summer2012
A movie that's alive and spontaneous and surprising is a rare enough thing to encounter-especially one that manages to address subjects as divisive and painful as inner-city black poverty without getting maudlin or preachy.
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Safety Not Guaranteed2012
A slight, wistful comedy that, at least up to the ambitious but unsatisfying final scenes, combines sci-fi and rom-com to pleasing effect.
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Take This Waltz2012
This romantic drama, starring the always-extraordinary Michelle Williams as a restless married woman contemplating an affair with her neighbor, is chock-full of individual moments of great power and beauty, including visual beauty.
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The Adventures of Tintin2011
Even if this hyperactive movie isn't your cup of tea, there's much to admire on-screen, including Spielberg's astonishing attention to visual detail and John Williams' jaunty score.
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Albert Nobbs2011
A movie that, like its title character, never quite dares to let itself discover what it really wants to be.
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The Artist2011
This slight but enormously likable picture seems destined to be an awards magnet: A holiday release with enough formal sophistication to appeal to cinephiles and enough old-fashioned showbiz bravado to win over a general audience.
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Coriolanus2011
The questions Coriolanus poses are so timeless and urgent they could be pullquotes from today's op-ed page.
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First Position2011
First Position is an unabashedly inspirational portrait of what even very young people can accomplish with discipline and dedication.
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Friends With Benefits2011
Friends With Benefits is a dumb, by-the-numbers romantic comedy. Yet I kept finding small things to enjoy in it, mainly because of the two hard-to-hate leads.
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Margin Call2011
This may be the first post-2008 feature film to dramatize the crisis itself, rather than using it as a backdrop for an outraged harangue against the banks.
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The Other Woman2011
Natalie Portman may have the black swan and the white swan down, but she's still working on the gray.
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Pearl Jam Twenty2011
Crowe has assembled some top-drawer ephemera -- old show posters, home movies, and candid backstage footage -- but he overestimates his audience's patience for present-day talking-head interviews.
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Scream 42011
Craven guides us expertly down a series of blind, bloody alleys, a journey that's more pleasurable than frustrating. On account of his steady hand, the last act is as good as could be expected: skillfully conceived and entertaining in its preposterousness.
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Super 82011
This may not be a children's classic that will last for generations, but it will make for a rollicking afternoon at the multiplex for kids around Joe's age.
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Biutiful2010
It's the kind of film that congratulates the viewer on her tolerance for the spectacle of unrelieved misery.
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Blue Valentine2010
This is a marvel of a movie, but in the interest of perpetuating the human race, I'd counsel dewy young couples embarking on life's journey to check into a sex motel instead.
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Cave of Forgotten Dreams2010
If you're interested in the history of the human race -- if you're a member of the human race -- you owe it to yourself to see this movie.
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The Company Men2010
The venerated American export that The Company Men most recalls isn't seagoing vessels -- it's hourlong dramatic television shows.
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The Conspirator2010
Once you accustom yourself to this film's unhurried rhythm and old-fashioned Hollywood stolidity, The Conspirator is not without its pleasures -- chief among them Robin Wright's quietly fierce performance.
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Four Lions2010
The very existence of Four Lions is an act of audacity; the fact that it's also smart, humane, and frequently hilarious is nothing short of a miracle.
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Howl2010
By the time this movie's over, you've spent an hour and a half just working your way through the words of "Howl" and some related source material, and that turns out to be a surprisingly satisfying thing to do.
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I Am Love2010
I Am Love isn't just a bedazzlement to the eyes and ears. It's a feast--or maybe just a small but divine dish of prawns--for the soul.
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Nowhere Boy2010
The story of Lennon's early years is dramatic and painful enough to survive an imperfect retelling, even if you're already familiar with the stations of the cross.
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The Romantics2010
[It] somehow skirts utter loathsomeness by dint of its elegant camerawork and a few finely tuned performances. I'm not suggesting you run out to the theater and see this, but if it comes on cable someday and you have a big pile of laundry to fold...
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Senna2010
Senna feels a touch too short to be fully realized -- but then again, so was Ayrton Senna's life.
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The Switch2010
The sadness comes from the audience's sense that inside this slick, conventional romantic comedy there's a tender, scruffy little movie struggling to get out.
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Tiny Furniture2010
For a DIY second feature from a very young director, Tiny Furniture feels surprisingly assured, even elegant.
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Antichrist2009
After the infantile bludgeoning that is Antichrist), I feel no need to keep accompanying von Trier's career at all.
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Extract2009
Like Judge's first two live-action films, Extract seems destined to do minor business at the box office but achieve a kind of immortality as a cult DVD.
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Soul Kitchen2009
Soul Kitchen is sprawling, undisciplined, raucous, occasionally crass-and so full of life you forgive it everything.
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The Business of Being Born2008
[It's] so selective in its presentation of information that it makes Michael Moore look like a fat lady in a blindfold holding a pair of scales.
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Management2008
Despite the essential implausibility of the story, Management remains for the most part as endearing as its leads.
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Encounters at the End of the World2007
Herzog the crank is a flimsy cover for Herzog the wonderstruck little boy, marveling at everything from the viscosity of seal milk (it pours like wax) to the spiderlike crab creatures that skitter along the ocean floor beneath the Ross Sea.
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Lars and the Real Girl2007
The movie is convinced that its man-loves-mannequin premise is uplifting, when actually it's just kinda gross.
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Phoebe in Wonderland2007
[Elle Fanning is] an astonishingly natural and unmannered actress who carries this rather ungainly movie on her narrow shoulders.
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Shooter2007
Though much of the action in Shooter is beautifully photographed, the movie's force is as a blunt instrument of metaphor.
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Bug2006
This is a movie about the dangers of letting love rob you of your reason and cut you off from the world, and, bugs in the bloodstream or not, who hasn't been there?
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United 932006
... left me feeling curiously unmoved and even slightly resentful.
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World Trade Center2006
For all its crude effectiveness as a true-life melodrama of survival, World Trade Center doesn't do much with 9/11, except to sentimentalize it for popular consumption.
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