Chinatown1974
Polanski's film suggests that the rules of the game are written in some strange, untranslatable language, and that everyone's an alien and, ultimately, a victim.
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The Conversation1974
Coppola manages to turn an expert thriller into a portrayal of the conflict between ritual and responsibility without ever letting the levels of tension subside or the complicated plot get muddled.
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The Great Gatsby1974
Director Jack Clayton seems overawed by the opulence of the production as well as by the mythic presence of Fitzgerald -- and the result is a film of shimmering surface brilliance and almost complete lack of focus or substance.
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The Day of the Jackal1973
It's a polished and exciting thriller, mercifully unburdened with heavy political/philosophical digressions.
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Jesus Christ Superstar1973
The music quickly becomes monotonous, and the operatic dialogue is silly right from the start.
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Serpico1973
A virtuoso performance by Al Pacino and some expert location work by Sidney Lumet add up to a tour de force genre piece that transcends the supercop conventions to create a moving, engrossing portrait of Frank Serpico.
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The African Queen1951
The direction is often questionable, but the screenplay (by James Agee, John Collier, Huston, and Peter Viertel from C.S. Forester's novel) is a model of tight construction.
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I Was a Male War Bride1949
Howard Hawks's darkest comedy (1949) -- a loosely constructed, episodic film that traces the progressive humiliations suffered by Free French army captain Cary Grant.
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The Lady Vanishes1938
This is vintage Hitchcock, with the pacing and superb editing that marked not only his 30s style but eventually every film that had any aspirations whatever to achieving suspense and rhythm.
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The Bride of Frankenstein1935
Whale added an element of playful sexuality to this version, casting the proceedings in a bizarre visual framework that makes this film a good deal more surreal than the original.
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