The World's Fastest Indian2005
Personal film projects about which directors feel passionate about don't necessarily result in good films as is evident in this manipulative and schmaltzy inspirational fairy tale.
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Bringing Out the Dead1999
Although Scorsese and Schrader may not have pulled off alchemy by transforming an undistinguished piece of literature into a great film, Bringing Out the Dead is still the best adaptation imaginable of its source material.
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But I'm A Cheerleader1999
Broadly conceived and schematically directed (or is it non-directed?), this is a shallow satire, basically a short extended into feature length movie, about a rehabilitation camp for gays and lesbians that wastes the talent of Natasha Lyons.
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The War Zone1999
Gifted Brit actor Tim Roth makes a feature directing debut with this well-acted, uncompromisingly depressing drama about a working-class family torn apart by incest and abuse.
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High Art1998
A highlight of the 1998 Sundance Festival: Cholodenko depicts with unwavering veracity the breakup of one longtime lesbian relationship just as another, unexpected one begins. The acting of the three women, Sheedy Mitchell, and Clarkson, is superb.
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The Apostle1997
A labor of love coming to fruition after 13 years, this is Robert Duvall's third and best directorial effort, a sharply observed exploration of a preacher who embarks on a redemption odyssey after committing a crime.
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Eve's Bayou1997
An intensely emotional drama that mixes elements of Southern Gothic with the kinds of characters and tensions that prevail in the plays of Southern writers like Tennessee Williams.
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Good Will Hunting1997
Towering performance by Matt Damon as a troubled working class who needs to address his creative genius elevates this drama way above its therapeutic approach, resulting in a zeitgeist film that may touch chord with young viewers the way The Graduate did
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Mrs. Brown1997
Centering on a lesser-known chapter in the reign of Queen Victoria, this richly detailed drama about her intimate relationship with her servant that scandalized the country is extremely well-acted; Judi Dench deserves an Oscar nomination
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She's So Lovely1997
Based on Cassavetes pere script, this Cassavetes fils meditation on love and madness is a truly curioisity item, lacking the master's profound ideas and rich subtext; 20 years ago, it would have starred Gena Rowlands, Ben Gazzara and Peter Falk.
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Jingle All the Way1996
In this formulaic star vehicle, Schwarzenegger gets to fly like Peter Pan, act like Superman--and fulfill all the fantasies kids may have about their fathers.
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Unhook the Stars1996
Nick Cassavetes' first feature celebrates the acting grandeur of his mom Gena Rowlands, casting her in the lead role as a older woman who would rather stick to her independent lifestyle than be dependent on her kids; I wish the script were better.
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The Doom Generation1995
Inspired by Godard's classic Band Apart, Araki's fifth feature is his most audacious and most technically accomplished film to date, reflecting the larger than usual budget and gained experience.
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Four Rooms1995
Four of the hottest indie directors--Anders, Rockwell, Tarantino, and Rodrigues--miss a unique opportunity to display their idiosyncratic talents resulting in a tedious anthology in which 2 segments are inept, one barely decent, and one OK (guess whose)
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Unzipped1995
Though uncritical of NY designer Mizrahi, docu is everything that Altman's dreadful Ready to Wear should have been: An insider's view of the fashion world that's hip, light, authentic, revelatory, and always amusing.
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Hard Target1993
A disappointing American debut of the Hong Kong cult director John Woo is a decent action vehicle by standards of its star Jean-Claude Van Damme but, hampered by a B script and flat characters, it doesn't bear Woo's auteurist signature and unique vision
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Young Mr. Lincoln1939
One of the decade's most significant works, the film was admired by Soveit director Sergei Eisenstein for its embodiment of the era's spirit and by the French critics of Cahiers du Cinema for its convergence of ideology and style.
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