Hotel Rwanda2004
Because of the subject matter, this feels like one of those films you see because it's good for you. But it also is an extraordinarily moving drama.
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Anger Management2003
Folks who loved Punch-Drunk Love won't care much for Anger Management, but cameo appearances by a host of famous names occur frequently enough that we're forced to stay alert, if only to catch them.
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Daddy Day Care2003
Eddie Murphy hasn't made a good movie in so long, I'm starting to think his bad choices are deliberate.
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Darkness Falls2003
Nothing about this makes sense, even by the standards of bad horror movies.
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The Good Thief2003
The heist is the story's spine, the melody. But what's really interesting are the solo flights that branch off and the filigrees that embellish it.
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Identity2003
This isn't a story: It's a catalog of gruesome murders.
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Swimming Pool2003
Ozon takes a long time setting up his story, but the interplay between Sagnier and Rampling is electric.
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Tears of the Sun2003
What's noteworthy is that Tears is simultaneously a gripping action tale and a plea for a policy of engagement, of humanitarian intervention, in parts of the world where oil is not at stake.
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Equilibrium2002
Giggling at the absurdities and inconsistencies is part of the fun. But the talented cast alone will keep you watching, as will the fight scenes.
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The Hours2002
A compelling, moving film that respects its audience and its source material.
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Igby Goes Down2002
A deliciously cold, brutal and unsentimental gem about growing up in an environment that knows no mercy.
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The Pianist2002
There seems to be no end to movies that deal with the Holocaust, but The Pianist, in its craftmanship and its approach to the tale, is a story we haven't seen before.
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Punch-Drunk Love2002
[Anderson] uses a hit-or-miss aesthetic that hits often enough to keep the film entertaining even if none of it makes a lick of sense.
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Rollerball2002
Successfully creates for the viewer the feeling of being trapped inside a video arcade going at full tilt, a thrilling prospect for 14-year-old boys, no doubt, though it's hard to imagine anyone else enjoying it.
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Windtalkers2002
Woo makes Windtalkers his own by combining the style and concerns of his earlier work with retro-sounding music and other war-movie conventions.
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Black Hawk Down2001
Black Hawk Down has a relentless force that makes character development almost beside the point.
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Bully2001
Clark pokes his lenses where they don't belong; and though the actresses both are 21, they look young enough that the film edges uncomfortably close to child pornography.
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Gosford Park2001
A sweet tune, airy but not quite gay, and it carries a sardonic edge.
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Manic2001
Absorbing and occasionally disturbing film.
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Pootie Tang2001
It would've made a great 30-minute comic short. Most of the film is padding.
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Scary Movie 22001
It shows no particular insight into the movies or cultural phenomena being mocked.
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Tape2001
Perhaps because they are working out emotional conflicts from high school, and Vince seems stuck at a childish emotional level, what takes place in the room seems juvenile, despite the powerful subject matter.
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Vanilla Sky2001
[Crowe's] 'bigger is better' approach consistently misplaces the emphasis and waters down the movie's appeal.
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The Gift2000
The movie has an impressive cast. Blanchett is a terrific actress who deserves better than this.
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Happy Accidents2000
The story isn't perfectly proportioned ... but it gets quirkier at the points where most romantic comedies go limp.
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Meet the Parents2000
Within its formulaic confines, the humor works uncommonly well from time to time.
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Our Song2000
We come to care about the characters, and at the end we appreciate having had the opportunity to see the world through their eyes.
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Quills2000
It breathes, it twirls, it prances right up into your face. It swirls over the top sometimes, but there never is any doubt you're watching a movie about something.
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