28 Hotel Rooms2012
The intimate romantic drama "28 Hotel Rooms" should prove a fine calling card for its first-time writer-director, Matt Ross.
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Amber Alert2012
All things considered - micro-budget, unknown actors, no real special effects, the point of view of a single video camera - "Amber Alert" proves a resourceful little thriller.
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Barfi!2012
Despite a hard-working cast, a lush score, exotic location shooting and scattered warmth, "Barfi!" is ultimately more endurance test than entertainment.
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Blue Like Jazz2012
An overlong mishmash of coming-of-age comedy, social satire and spiritual think-piece whose ultimate stance on religion feels awfully fuzzy.
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Citizen Gangster2012
Morlando has crafted a stylishly shot and evocatively designed period piece. But it's the dashing, quietly charismatic Speedman who proves the main draw, holding our attention even when the movie doesn't.
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Collaborator2012
Oddly, it's Donovan's performance here that proves the movie's weakest link, though his writing and helming tie for a close second.
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Crooked Arrows2012
"Crooked Arrows" might involve two lesser-seen screen subjects - Native Americans and lacrosse - but it still can't break free of the usual underdog sports picture tropes.
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A Dark Truth2012
For all the attempted intrigue and mayhem, the film is dullsville, mired by a poky script, unremarkable action and, the hard-working Garcia aside, uninspired performances.
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L!fe Happens2012
First-time feature director Kat Coiro gives an oft-tread story a snappy new spin in the hip and enjoyable comedy "Life Happens."
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Mansome2012
There's no real center to the film's potentially insightful topic, with Spurlock never zeroing in on a cohesive message.
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Memorial Day2012
Between all the flashbacks and flash-forwards, you'll need a scorecard.
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Nipples & Palm Trees2012
If the title "Nipples and Palm Trees" sounds dubious, just wait till you see the movie - a dreary, dirty-talking sex comedy from the you've-got-to-be-kidding-me school of filmmaking.
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October Baby2012
A film whose poignancy is hard to deny whatever side of the abortion debate you fall on.
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Price Check2012
A you-are-there slip-and-slide that follows a supermarket chain's pricing department exec whose life gets upended by a whirlwind new boss.
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Sassy Pants2012
Although it attempts a kind of outre pose, the film ultimately proves a too-gentle juggling act that never quite soars.
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Union Square2012
Propelled by a rangy, superbly colorful performance by Mira Sorvino, the film grabs hold of the viewer from the jump and snowballs toward a deftly moving and concise third act.
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The Woman in the Fifth2012
A thankless lead vehicle for Ethan Hawke who's left largely stranded by writer-director Pawel Pawlikowski's opaque adaptation of Douglas Kennedy's novel.
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Angels Crest2011
Catherine Trieschmann's script, based on the novel by Leslie Schwartz, barely scratches the potentially loaded surfaces it serves up.
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House of Pleasures2011
"Pleasures" becomes as enveloping - and sometimes as awkward - as one of the L'Apollonide ladies' heaving corsets.
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Last Days Here2011
A deft and weirdly affecting portrait of how a drug-addicted man-child knocking on death's door manages an astonishing resurgence.
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The Last Fall2011
This is an involving, sympathetic film unafraid to wear its sizable heart on its sleeve.
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Make Believe2011
The various sleights of hand are impressive even if we're afforded little insight into their actual execution. Still, it's fun stuff.
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One Fall2011
Despite its grander ambitions, the film ultimately feels minor and superficial.
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Happiness Runs2010
An astoundingly bad memory piece that blows its potential dramatic heft at every turn.
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Inhale2010
It takes a while to get there, but Inhale eventually emerges as a tense and morally complex thriller with a devastating twist.
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The Lottery2010
The film takes an effective, two-pronged approach to tell its enlightening tale.
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Mugabe and the White African2010
Bailey and Thompson managed to create a remarkably vivid portrait of a land and its people, while bringing us two unforgettable heroes in Campbell and Freeth.
The Romantics2010
Proves unsatisfying not only because of its unlikable characters and often contrived conflicts but for the thoroughly implausible bride and groom at its core.
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Ticked-off Trannies With Knives2010
It's as if writer-director Israel Luna hatched a startling title and then flailed around trying to match its minor promise.
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The Age of Stupid2009
Though this narrative device can feel a bit gimmicky and grandiose, it also provides a visual and emotional power that drives home this absorbing film's crucial cautionary message.
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C Me Dance2009
It's fine to know your audience and cater to its entertainment needs, but even the most devout viewer subjected to Robbins' ham-fisted film might think, "OK, now tell me something I don't already know."
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Love Hurts2009
Moss brings warmth and dignity to a part that could've easily slid into stereotype, while Camryn Manheim owns her few scenes as Amanda's best friend.
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The Alphabet Killer2008
It's too bad there was no way around the story's inherent deficit since this effectively unsettling film, directed by Rob Schmidt, chugs along quite well for a while.
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Beautiful Losers2008
An absorbing look at how a circle of dispossessed young artists from the 1990s eventually found its way to mainstream success.
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The Beautiful Truth2008
Comes off mostly like a hybrid of retro-style educational film and late-night infomercial.
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Examined Life2008
Director-writer Astra Taylor wisely avoids turning this talk fest into a talking heads fest by filming these effusive intellectuals in a variety of visually diverting, real-world environments.
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Finding Bliss2008
The supporting players, including Kristen Johnston as Grind's wise production head, Denise Richards as Jody's movie's gentle leading lady and Jamie Kennedy as a sweet but dense porn actor, also deftly rise to the occasion.
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Jolene2008
More epic than it needs to be and less profound than it should be, "Jolene" remains a watchable excursion into human frailty and foibles.
Our City Dreams2008
Their art, like the film itself, is powerful, daring and makes you think.
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Shrink2008
Director Jonas Pate and screenwriter Thomas Moffett have turned this strongly cast, potentially smart tale of personal intersection among a mostly rarefied group of Los Angelenos into an irritating and unconvincing slog.
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Never Forever2007
If Adrian Lyne directed a racy Lifetime movie, then asked Danielle Steel what to call it, you'd pretty much have Never Forever, a sudsy chamber piece that's engrossing despite its many plot holes and contrivances.
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A Man Named Pearl2006
A Man Named Pearl not only makes you want to get out there and play Edward Scissorhands but can, at least for its 78 jazz-and-gospel infused minutes, help replenish one's faith in humanity.
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Severance2006
They say, "Dying is easy, comedy is hard," but this cheeky gore fest proves that balancing the two is the trickiest act of all.
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