Boarding Gate2007
The picture grows on you, as does its laconic leading lady, whose slurry delivery conceals an ever-alert mouse handily equipped to beat the cat at his own game.
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Chop Shop2007
It's already been compared to Brazilian classics City of God and Pixote. But Chop Shop is both more hopeful and less punishing than those films, in no small measure owing to the synergy between first-time actors Polanco and Gonzales.
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Civic Duty2007
Asks the piercing question: does the terrorist lurk within us? In actuality, it's a question worth exploring, but not one that this bombastic and silly thriller is prepared to answer in any dramatically sustainable fashion.
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Memory2007
To what niche does this movie aspire, Michael Crichton sci-fi chiller, Ed Wood camp or neo-'60s grand guignol for former leading ladies of a certain age? You decide.
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The Signal2007
The Signal is a well-oiled example of that oxymoronic Tarantino phenomenon: the arty grindhouse picture.
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Brooklyn Rules2006
If Winter had an extraordinary youth, it eludes Brooklyn Rules, another generic memory piece in which the now-successful writer takes us on a thinly veiled tour of the burger joints, bowling alleys and faces from his formative grunge years.
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Cashback2006
How ironic that Richard Lester had to go all the way to England to make that chef-d'oeuvre of sex comedies, The Knack... and How to Get It, while Ellis stays home and churns out the British answer to American Pie.
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The Fall of Fujimori2006
The Fall of Fujimori couldn't happen along at a more pregnant moment for America, as we agonize over how far we are willing to let our own leaders fudge the rules to stamp out terrorists.
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The Ground Truth2006
Even if you endorse the director's bullish peacenik stance, you may feel like picking an argument, for the unique thrill that only ambiguity can deliver.
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Lady Chatterley2006
A film of sun-dappled beauty and unbridled joys that arrive as much as a surprise to the audience as they do to the characters.
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One to Another2006
The flaw is underscored by the one-bod-fits-all casting that renders everyone indistinguishable, especially when they have their clothes off (which is a good deal of the picture).
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The Wind That Shakes the Barley2006
Folks who are heavily invested in stereotypes of thuggish terrorists may balk at Loach's portrait of articulate IRA ideologues. But there is no denying his ferocious grip on our emotions. Barley is one tough and beautiful film.
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Cavite2005
Enhanced by the you-are-there immediacy of a hand-held digital camera, Cavite works up a visceral potency that overleaps the credibility gaps in the omniscient-terrorist device.
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Lonesome Jim2005
If Lonesome Jim feels like it's perpetually on the verge of evaporating, Buscemi brings to the material the boundless empathy for misfits and screw-ups he displayed in Trees Lounge.
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Old Joy2005
Every frame of Old Joy bespeaks a yearning for a more user-friendly day, when gas was less than $2.50 a gallon and there was always a used record store to unload your scratched vinyl.
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The Producers2005
Brooks and Stroman have taken a classic and flattened it into just the sort of glib, tired-businessman's musical adaptation that Max Bialystock once built his sagging reputation on.
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Stagedoor2005
Watching these pint-sized Lizas resuscitate a dying popular art in a ghost-town vacation resort, you don't know whether to laugh or cry for the loony resilience of the Broadway spirit.
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Inside Deep Throat2004
Bailey and Barbetto have mined this all-American circus for all its mindbending absurdity and legitimized it with a who's who of cultural critics.
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White Chicks2004
White Chicks feels more like an idea for a TV sketch that would have been much fresher had it been inflated into a movie in the '90s.
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Identity2003
It can make for an exasperating ride, since the filmmakers fudge the line between earnest manipulation and flip self-mockery.
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Sonny2002
Actors generally make good actor's directors, but Sonny is a mixed bag in that department.
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The Sum of All Fears2002
This engrossing, characteristically complex Tom Clancy thriller is shifty in the manner in which it addresses current terrorism anxieties and sidesteps them at the same time.
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XX/XY2002
Ruffalo continues to be one of the most intriguing actors of his generation.
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Baran2001
Majidi's poetic love story is a ravishing consciousness-raiser, if a bit draggy at times.
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Gangster No. 12000
They crush each other under cars, throw each other out windows, electrocute and dismember their victims in full consciousness. And we don't avert our eyes for a moment.
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Maybe Baby2000
A romantic comedy so slick you can see the reflection of a hundred better movies in it.
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