Ballplayer: Pelotero2012
The next time I see some superstar athlete giving an interview that suggests the absence of a functioning soul, I'll think of the two tense, joyless boys at the center of this quietly devastating documentary.
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Compliance2012
Too condescending to be trusted, too manipulative to be believed, too turgid to be enjoyed, too shameless to be endured and, before and after everything else, too inept to make its misanthropic case.
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The Dictator2012
Now [Cohen is] turning material both fresh and rancid into tepid gruel.
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The Flat2012
Goes from intriguing to astonishing by way of unfathomable.
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The Forgiveness of Blood2012
A work of fiction, based on present-day fact, that's quietly affecting and surprisingly dramatic, so long as you're willing to watch it unfold at its own deliberate pace.
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Friends With Kids2012
It's shrill in tone, awash in unexamined narcissism-kids are just pretexts for laughs, rather than objects of love-and afflicted by explosive verbal diarrhea.
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Haywire2012
There's no deeper meaning to Steven Soderbergh's thriller than what meets the eye, yet its lustrous surfaces offer great and guilt-free pleasure.
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Headhunters2012
"Headhunters" is smart, funny, scary and surprising, so it's hardly any wonder that an American version is in the works. The big question is whether the remake can measure up.
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The Hunger Games2012
The first book of Suzanne Collins's prodigiously popular trilogy has been brought to the screen with a Jumbotron sensibility, a shaky camera to emphasize the action and a shakier grip on the subject's emotional core.
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I Wish2012
This wise and funny film, in Japanese with English subtitles, works small miracles in depicting the pivotal moment when kids turn from the wishfulness of childhood into shaping the world for themselves.
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The Island President2012
"The Island President" personalizes the threat of global warming, and nationalizes it too, by focusing on Mohamed Nasheed, the former president of the Maldives.
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Jiro Dreams of Sushi2012
At the age of 85, the subject of this fascinating documentary not only dreams of sushi but still drives himself to make it better.
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The Loneliest Planet2012
Though the film moves as slowly as its hikers, it demands, and deserves, to be watched closely.
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Marley2012
The director, Kevin Macdonald, searches for clarity amid the contradictions of Marley's life and reaches no conclusions, but that's a tribute to his subject's complexity in a film of fascinating too-muchness.
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Monsieur Lazhar2012
What makes the film enthralling is the wisdom and grace with which it addresses the twin subjects of grief and healing, and the quiet beauty of Mohamed Fellag's performance in the title role.
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A Royal Affair2012
With its sumptuous settings, urgent romance and intellectual substance, A Royal Affair is a mind-opener crossed with a bodice-ripper.
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The Adventures of Tintin2011
The action grows wearisome as it grinds on, and the film becomes a succession of dazzling set pieces devoid of simple feelings.
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Bellflower2011
A daring feature debut by Evan Glodell, "Bellflower" looks like it was shot with the digital equivalent of a Brownie box camera, and generates an almost palpable aura of anxiety.
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Buck2011
It keeps you fascinated, even enthralled; elicits astonishment, even wonderment, and makes you grateful for the chance to meet someone remarkable.
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Coriolanus2011
Riches of character are revealed, with copious visual invention.
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First Position2011
Beneath the jetes and bleeding feet, First Position is about toughness of mind as much as visions of beauty. In one case it's about a transformation so profound as to be unfathomable.
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Hugo2011
Thematic potency and cinematic virtuosity -- the production was designed by Dante Ferretti and photographed by Robert Richardson -- can't conceal a deadly inertness at the film's core.
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Margin Call2011
Chilling and enjoyable in unequal measure. Entertainment predominates, but entertainment with smarts, and a well-honed edge.
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The Other Woman2011
I didn't like a single one of these insufferable narcissists, the kid included.
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Polisse2011
What makes it such a singular experience is the convergence of fine acting, moral urgency and a willingness to linger on moments of great intensity.
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Rango2011
I've made a good case for seeing "Rango," and why not; an eye feast is still a feast in this lean multiplex season.
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Snow Flower And The Secret Fan2011
While the action flashes back and forth in increments of centuries, years or months, we're adrift in the here and now, trying to get a grip on the characters and their relationships, yet finding it loosened with every new dislocation.
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Super 82011
This new film isn't perfect, and may not be a world-changer, but it's certainly a world-pleaser.
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This Must Be The Place2011
Bizarre can be good when it's done deftly. In this case, however, it's done ponderously and sententiously.
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Trishna2011
Spectacular visually, though awfully somber dramatically.
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Cave of Forgotten Dreams2010
The unknowable or the mysteriously ambiguous in human behavior is what sets Mr. Herzog's synapses to firing with singular intensity.
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City of Life and Death2010
This is hardly a film to recommend as entertainment. As an act of remembrance, though, it is singular and, in its way, soaring.
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Cold Weather2010
Something finally happens about 40 minutes into Aaron Katz's amiably low-key feature.
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The Conspirator2010
What it most suggests ... is the sort of classroom film that has kept generations of students off the edge of their seats.
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Exit Through The Gift Shop2010
Droll, aerosol-thin and ultrameta, a movie about a movie that supposedly was but actually wasn't being made about Banksy by his amiably bonkers Boswell, a compulsive French videographer named Thierry Guetta.
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Four Lions2010
Morris and his writers-four of them in this film as well -- like to torture logic with absurdist dialogue, and some of their gang's escapades are amusing rather than laughable. Yet "Four Lions" lacks a moral base.
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Heartbeats2010
The film couples high comedy with spiritual solitude. That's not just a slo-mo stunt, it's a cockeyed triumph.
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Inhale2010
All of the beatings, betrayals and bitter ironies leave a bad taste in your head.
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Monsters2010
What brings Monsters down from its extremely low perch is a conspicuous lack of monstrosity -- the best the filmmaker's laptop has come up with is fleeting glimpses of supersize squid -- together with the vacuousness of the hero and heroine...
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Morning Glory2010
This production is a mess for many reasons, most of them having to do with its frantic efforts to be funny.
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Night Catches Us2010
Merits admiration as an ambitious debut feature, though the impact of its splendid cast is blunted by the awkward structure of its screenplay.
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Restrepo2010
This movie will stir your heart and open your mind. It's a group portrait of practicing patriots.
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True Grit2010
Joel Coen and Ethan Coen fill the film with self-conscious good humor-hey, it's the Coen brothers-and the charmingly old-fashioned locutions of the Charles Portis novel.
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An American Affair2009
This is not, by any reasonable definition of the term, a professional film, even though several experienced and established actors have been inveigled to inhabit it
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Antichrist2009
By turns repellent, powerful and ludicrous, Antichrist piles horror on horror with pitiless passion.
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Cairo Time2009
[Clarkson] makes yearning palpable. She turns mysterious silences into a language of love.
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Creation2009
Mr. Bettany is a fine and resourceful actor, but Creation is a battle he was doomed to lose.
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The Eclipse2009
A leisurely and quite lovely drama that honors the conventions of gothic ghost stories without the slightest stain of self-irony.
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Fish Tank2009
Fish Tank is a coming-of-age story for Mia, who will at least have a shot at happiness, and a coming-into-mastery story for the writer-director, Ms. Arnold, whose prospects seem limitless.
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The Girl with the Dragon Tattoo2009
A stylish thriller with real complexity, people with interesting faces, a sensational actress cast as an ambisexual Goth hacker heroine -- the news about The Girl With the Dragon Tattoo is nothing but good.
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Ondine2009
Why is the dialogue so muffled and clipped that it's hard to understand? Why didn't Mr. Jordan spend more time grounding his self-enchanted script in some semblance of reality?
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The Secret of Kells2009
The soul of the film lies in its ravishing colors, and in exuberantly stylized images that pay homage to Celtic culture and design, together with techniques and motifs that evoke Matisse, Miyazaki and the minimalist cartoons of UPA.
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Soul Kitchen2009
You could call Soul Kitchen a romance with sensational music, or a hymn to friendship with romantic resonances. Whatever you want to call it, the thing is bursting with life.
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Gangster's Paradise: Jerusalema2008
Startlingly original, if occasionally overambitious. This is Tsotsi without the feel-good glow, a tale of entrepreneurship's perils and boundless pleasures.
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Let the Right One In2008
[Director Tomas] Alfredson's style is as elegant and laconic as Twilight is amateurish and campy.
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Man on Wire2008
Part of what makes Man on Wire so enthralling, and so entertaining, is the filmmaker's skill in laying out the illegal caper's logistics, mainly through interviews with Philippe and his support team.
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Management2008
The plot is too sprawling for the structure. That's often the way with debut films: so many notions, so little time.
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New York, I Love You2008
What's remarkable here is the consistency of the mediocrity, the uniform fraudulence of the minipremises, the reliable awkwardness of such almost-English lines as "Your eyes would suffice to give tired men hope."
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Religulous2008
A provocation, thinly disguised as a documentary, that succeeds in being almost as funny as it is offensive.
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Paranoid Park2007
In the space of 78 minutes, Mr. Van Sant and his cinematographer, the peerless Christopher Doyle, manage to suffuse that state with haunting sadness, ubiquitous danger, pulsing power and flickers of hope.
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Phoebe in Wonderland2007
It's that kind of movie, full of therapeutic notions paraded as poetry and scenes that seem to carry explanatory labels.
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Trumbo2007
The substance of those letters, along with documentary footage and a touching appearance by Kirk Douglas, throws a baleful light on a bleak chapter of American history.
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Deep Water2006
An enthralling documentary about an Englishman named Donald Crowhurst who, in 1968, set off on a solitary, nonstop circumnavigation of the globe.
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An Inconvenient Truth2006
The film succeeds powerfully, even though it's short on practical solutions, makes some questionable statements of fact and, given Gore's current ambiguous position in public life, requires a tighter focus on the message than on the messenger.
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Maxed Out2006
James Scurlock's documentary serves up cautionary tales of epic abuse, though the overall tone is faux cheerful and sometimes genuinely entertaining, especially in the use of clips from an old educational film that looks too fatuous to be faux.
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Mission: Impossible III2006
The summer's first action epic does exactly what it's supposed to do, more clearly than M:i:I, and more likeably than M:i:II.
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World Trade Center2006
The filmmaker and his colleagues have brought the sensibility of an old-fashioned Hollywood disaster movie, and a mediocre one at that.
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Leonard Cohen: I'm Your Man2005
The strength and beauty of Cohen's songs is, if anything, enhanced by the treatment they get from such folk legends -- and legends in the making -- as Kate and Anna McGarrigle, and Kate's son and daughter, Rufus and Martha Wainwright.
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Carrie1976
More superpowers from Brian De Palma, this time in high school, in a screen version of a Stephen King novel that's become a horror classic.
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