The Crow: City of Angels
It verges on the misanthropic and necrophiliac; more in love with the absence of characters, their demise, than with flesh and blood.
Harriet the Spy
There's dancing, and bubble blowing and bed bouncing that's entirely aimless and Harriet's neighborhood sleuthing becomes particularly pointless.
Supercop (Police Story 3) (Ging chaat goo si 3: Chiu kap ging chaat)
Jackie Chan makes his second leap at the American movie audience, following up Rumble in the Bronx with a far sharper mix of stunts, martial arts and Chan's own brand of breathtaking slapstick comedy.
Keaton does a dandy job by his four Dougs, but the problem is a script that assumes a physical comedian can do it all, including twisting characters to make them fit the plot line. It doesn't work.