Farmageddon2011
An eye-popping wake-up call revealing how the USDA and FDA have increasingly waged war on America's small farmers even when they can prove they are contributing healthful products to our food supply.
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The Names of Love2011
So many actresses are asked to be adorable even in their characters' most exasperating moments, but few pull it off as well as Forestier.
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Singham2011
Bollywood fans are more likely than not to be able to go with "Singham's'" lengthy - but lively - ride.
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Spork2011
For all its poignancy, "Spork" never loses sight of its goal to be zesty, sharp-witted fun.
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Burzynski2010
Merola unleashes a barrage of information, including much testimony from grateful patients, but he could have made an even more effective film had he paused to summarize each phase in Burzynski's long ordeal.
The Extra Man2010
Adapted from the Jonathan Ames novel, the film is too precious around the edges, but it gets somewhere.
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Marwencol2010
A celebration of the transformative power of art in coping with so many of the challenges people face -- healthcare problems, post-traumatic disorders, alternative lifestyles.
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Waste Land2010
That a beautiful film could be set in the world's largest garbage dump sounds like an oxymoron, but acclaimed documentarian Lucy Walker has pulled off precisely that feat in her profoundly moving "Waste Land."
Zenith2010
To say the least, "Zenith" is challenging and elusive; it evokes a bleak view of the human condition and a sense that pervasive paranoia might well be justified.
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Beeswax2009
Bujalski is very much interested in how people -- in his instance, quite intelligent, civilized and articulate twentysomething individuals -- cope with life's everyday challenges, finding naturalistic drama in what may initially seem pedestrian.
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44 Inch Chest2009
Malcolm Venville, in an assured directorial debut, builds suspense with steady effectiveness.
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Believe: The Eddie Izzard Story2009
Sarah Townsend's Believe: The Eddie Izzard Story illuminates the life and career of the protean, gender-bending comedian-actor through an astonishing collection of footage.
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Down Terrace2009
Down Terrace is long on talk but generates its own internal rhythms and pace that makes it feel bracing and vibrantly alive.
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Eating Out: All You Can Eat2009
Eating Out 3: All You Can Eat is just as silly and tedious as the first two unconnected tales of young gay love -- but lots worse.
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The Missing Person2009
It's a great-looking movie, with an evocative use of music and, in rugged-yet-sensitive Michael Shannon, has an actor whose forceful, focused presence is the film's sturdy linchpin.
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The Poker House2008
Regardless of whether the film is all fiction or all true or a mix, it has a ring of truth about it strong enough to sustain a defy-all-odds finish.
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Were the World Mine2008
Were the World Mine is seriously uneven. If it displays considerable imagination and creativity, it also lapses too often into smug, campy silliness.
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The Yellow Handkerchief2008
[Arthur] Cohn has assembled a quartet of gifted actors who are captivating under Prasad's perceptive direction.
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Boarding Gate2007
The plot may be murky, but actress Asia Argento is a clear and commanding force throughout.
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Chop Shop2007
Bahrani celebrates those who never give up, no matter how badly their dreams are shattered.
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Sangre De Mi Sangre2007
Shot mainly in New York's meanest, murkiest streets, Sangre de Mi Sangre, is intricately and imaginatively structured, building to a powerful climax of complex irony.
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Save Me2007
This is a modest, thoughtful, independent production of exceptional insight and quietly devastating power.
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Klimt2006
Ruiz is terrific in evoking a heady atmosphere of ornate fin de siecle decadence, and Malkovich is ideally cast as a coolly intellectual, free-thinking, free-living aesthete...
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This Is England2006
The writer-director brilliantly juxtaposes the personal and the political, bookending a stirring coming-of-age drama with the provocative opening and an equally affecting end sequence.
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Taxidermia2005
Taxidermia is a brilliant, often grotesquely bizarre allegory on life in Hungary from World War II to the present, a surrealist fantasy exploring the limits of the body and its desires and altogether a darkly funny comedy.
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Land of the Dead2005
George A. Romero's Land of the Dead reveals that Romero remains the master of a genre he reinvented.
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Nine Lives2005
A sophisticated, elegant-looking film shot in distinctive, wide-ranging L.A. locales, but its real terrain is the human heart, explored with compassion and respect.
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Race You to the Bottom2005
An illuminating glimpse into some of the more challenging complications that contemporary relationships can present.
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Secuestro Express2004
Jakubowicz is a whiz at setting up an exceedingly tense predicament and then building upon it a nearly unbearable suspense with ingenuity and insight.
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White Chicks2004
Even if it lingers a bit too long, White Chicks represents a solid accomplishment for the crowd-pleasing Wayans brothers.
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Down to the Bone2003
Down to the Bone emerges with an aura of authenticity so strong as to be mesmerizing, thanks to a superior script brought to life with infallibly natural performances ...
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Ned Kelly2003
A highly formal and conventional film that is too often merely ponderous when it should be stirring.
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Blackwoods2002
Director Uwe Boll and writer Robert Dean Klein fail to generate any interest in an unsympathetic hero caught up in an intricate plot that while cleverly worked out, cannot overcome blah characters.
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Bukowski: Born into This2002
Accomplishes beautifully what it sets out to do, which is to reveal the man behind the crusty, hard-drinking, tough-talking persona Charles Bukowski so artfully crafted.
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Dahmer2002
Suffers from a lack of clarity and audacity that a subject as monstrous and pathetic as Dahmer demands.
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Sonny2002
It is as uncompromising as it is nonjudgmental, and makes clear that a prostitute can be as lonely and needy as any of the clients.
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Suspended Animation2002
It has pace and variety and, best of all, it consistently has the courage of its imaginative and daring screenplay.
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The Fluffer2001
Ultimately emerges as a coming-of-age odyssey of notable substance and honesty.
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Jay and Silent Bob Strike Back2001
The relentless torrent of foul language--and not just from Jay--becomes numbing and finally makes the film seem more crass than amusing.
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Lagaan - Once Upon a Time in India2001
An affectionate homage to a popular genre that raises it to the level of an art film with fully drawn characters, a serious underlying theme, and a sophisticated style and point of view.
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The Musketeer2001
Philip Harrison's superb production design, Raymond Hughes and Cynthia Dumont's wide range of costumes, Gigi Lepage's gowns for Deneuve and David Arnold's rightly thundering score all help bring alive Dumas' romantic, tumultuous world one more time.
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Hamlet2000
Almereyda has pulled off a formidable coup: He's made Shakespeare come alive for contemporary audiences of all ages, especially young people.
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Scary Movie2000
Scary Movie is a good showcase for a talented, youthful cast, and the film is carried with aplomb by newcomer Faris, a fearless comedian and an appealing ingenue.
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eXistenZ1999
Jennifer Jason Leigh is an ideal Cronenberg heroine, projecting a personality that is smart, wary and capable of obsessiveness.
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An Ideal Husband1999
Wilde was always about lots more than witty repartee, and as sparkling as his play is as drawing-room comedy, it reveals his concern with the timeless values of unselfish love and forgiveness.
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Teaching Mrs. Tingle1999
Teaching Mrs. Tingle reveals Williamson not only to be as accomplished a director as he is a writer but also his willingness to move beyond horror to psychological suspense.
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Another Day In Paradise1998
As contradictory as it is energetic, the film takes as many risks as its people do and as a result strikes a highly contemporary nerve.
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Eternity and a Day1998
Angelopoulos has created another masterpiece, one that recalls such classics as Bergman's Wild Strawberries and Kurosawa's Ikiru.
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Chasing Amy1997
Work of such fierce intelligence and emotional honesty that it blows away the competition when it comes to contemporary romantic comedy.
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Eve's Bayou1997
There has never been a film quite like Kasi Lemmons' shimmering Eve's Bayou.
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Beavis and Butt-Head Do America1996
Successfully brings to the big screen those no-brainer nerds who have brought laughter to living rooms around the world for nearly four years.
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Happy Gilmore1996
You don't feel that Sandler and director Dennis Dugan are trying for the kind of subversiveness that might just make Happy's brutal anarchy more effective.
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Jude1996
The dark, steel engraving look that cinematographer Eduardo Serra has given Jude endows it with a somber magnificence.
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Restoration1996
The film is overcome by the rumbling workings of a creaky plot as the story grows more serious.
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Scream1996
A bravura, provocative sendup of horror pictures that's also scary and gruesome yet too swift-moving to lapse into morbidity.
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Sling Blade1996
A mesmerizing parable of good and evil and a splendid example of Southern storytelling at its most poetic and imaginative.
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The Substitute1996
There's a sense of shrewd observation throughout The Substitute that makes it come alive and seem quite a few cuts above such usual genre fare.
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The Doom Generation1995
Plays like a low-budget Natural Born Killers -- and that is not intended as a compliment.
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Fallen Angels1995
An exhilarating rush of a movie, with all manner of go-for-broke visual bravura that expresses perfectly the free spirits of [Wong's] bold young people.
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Sudden Death1995
A treat for Jean-Claude Van Damme fans, a superior action thriller loaded with jaw-dropping stunts and special effects, and strong in production values.
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Switchblade Sisters1975
A terrific example of efficient, resourceful filmmaking, and its depiction of urban ills is, if anything, all too prophetic.
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