5 Broken Cameras2012
Unlike the more sophisticated chronicle of resistance Burma VJ, it pays scant attention to the larger political context or, indeed, the strategies and tactics of protest in an age that offers sophisticated means of media management.
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The Ambassador2012
Brugger ensures it's a fairly entertaining excursion, especially when he starts to enjoy getting into character as the nefarious white man in Africa.
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Side by Side2012
Although laid out with such clarity that any layperson could catch the gist of what's being discussed, Side by Side is not afraid to get nitty-gritty about more technical matters.
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Ironclad2011
Ironclad might be the perfect actioner for gorehound fanboys gaga for medieval trappings, but all others may find this British-American-German co-production a bit of a drag.
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Pina2011
A tribute to Pina Bausch, one of modern dance's most groundbreaking choreographers, pic lets the artist's work speak for itself via big, juicy slabs of performance.
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Rubber2010
Pic offers auds few reasons to want to see it beyond its one-joke premise.
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Sex & Drugs & Rock & Roll2010
Paul Viragh's script is too bitty to hold it all together, and filigrees of technique fail to disguise the weaknesses in helmer Mat Whitecross' first solo flight.
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44 Inch Chest2009
Could easily elicit accusations of misogyny -- especially given its percussive, unrelenting but eminently realistic use of the C-word -- but it's actually, at its best, an acute, unblinking portrait of misogyny in practice, not a misogynistic text itself.
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Last Train Home2009
Helmed by Fan Lixin, who also takes credits as d.p. and co-editor, the pic laudably adopts an intimate, personal approach to a subject -- hardworking Chinese garment workers -- that's been covered in more hectoring fashion elsewhere.
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The Secret of Kells2009
With its jewel-bright colors and intricate use of lines, the result is absolutely luscious to behold.
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Survival of the Dead2009
Steeped in fan-pleasing gore but woefully thin on ideas, originality (beyond new zombie-offing methods) or directorial flair.
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Elegy2008
Sparse, low-budget drama, helmed by Spaniard Isabel Coixet, intelligently translates Roth's meditation on lust and mortality without soft-pedaling its narrator's brutally honest, unabashedly sexist views.
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The Yes Men Fix the World2008
Finds its titular merry pranksters up to yet more capitalist-critiquing chicanery and fat-cat-fooling fun.
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Beaufort2007
Although there's muted criticism here of military strategy, script endeavors to maintain a politically neutral stance, sticking to the ground soldiers' points of view, rendered convincingly here by cast and third-time helmer Joseph Cedar.
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Day Watch2007
Although more flashily assembled, pic's relentless onslaught charms less over a running time almost 25 minutes longer.
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Sixty Six2006
A thick, gooey layer of voiceover narration from Bernie is just one of several tired devices that makes pic feel hackneyed, despite some choice cuts of dialogue.
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Stoned2005
Mines the story of Rolling Stones co-founder Brian Jones for a note-perfect pastiche of Swingin' '60s style, but is less satisfying in other departments.
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