2 Days in New York2012
It's time for Delpy to leave Marion in New York for good and head back to Paris. Besides, the sausage is better there.
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Act of Valor2012
While subtleties and pacing are MIA, the filmmakers know how to shoot action and they make the most of it in Act of Valor.
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Beauty Is Embarrassing2012
The doc meanders occasionally, but we're grateful when it comes back to White and his creations.
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Brooklyn Castle2012
Brooklyn Castle is inspiring stuff that grabs you by the throat and will leave you cheering - quietly of course. No shouting in a chess match.
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Chasing Ice2012
Considering the gravity of the situation there is very little preaching in Chasing Ice. Facts about global warming are presented then backed up with staggering visuals. An audience is invited to accept it as proof, or not.
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China Heavyweight2012
It stands as a fascinating look at a changing China and the courage it takes for those living there to punch above their weight.
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Crooked Arrows2012
It's an often-awkward niche film enlivened by impressive on-field action scenes. But those can't get it beyond a predictable sports underdogs-fight-back plot.
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A Dark Truth2012
A slog of a thriller that tries for relevance with an environmental message, A Dark Truth's biggest mystery is how so many "name" actors ended up in this torpid turkey.
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Deadfall2012
Looks great but sacrifices much in its charge towards a final showdown that's been telegraphed from the early going.
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The Deep Blue Sea2012
Hiddleston is good as the fickle playboy but Weisz, who smoulders as Hester, is better.
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Detachment2012
Detachment gets an A for enthusiasm but a C for execution.
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Fat Kid Rules the World2012
Punctuated by cartoonish fantasy scenes and some adult moments that take it to darker territory, Fat Kid Rules the World is simple stuff that offers a few surprises and a satisfying, if predictable, finish.
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The Imposter2012
This is edge-of-your-seat stuff and the difficulty is in the telling of the tale. To give any of this film away is a crime. You simply have to see it for yourself.
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Indie Game: The Movie2012
You may have never picked up a game console in your life, but there's universal access thanks to compelling stories in Indie Game: The Movie.
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Jesus Henry Christ2012
If it all seems a tad to quirky and twee, that's the overwhelming flaw in director Lee's obvious and lightweight homage to director Wes Anderson.
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Jiro Dreams of Sushi2012
It is as much a family saga as a visit to sushi nirvana, and that adds an unexpected and satisfying narrative to this visual stunner.
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Meet the Fokkens2012
The doc gives a rare look at the business of plying the world's oldest profession over the past 50 years in the famously tolerant city, but the directors are a bit too hands-off and the narrative wanders.
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Mirror Mirror2012
This rambling version of Snow White's tale is a pretty, spun-sugar confection, airy as a plate of Easter egg-coloured macarons and similarly devoid of substance.
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The Moth Diaries2012
While there's plenty of promise, there's no payoff with this would-be horror.
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Nobody Walks2012
The characters, especially Kolt's Italian tutor, demonstrate they have the impulse control of toddlers.
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Oslo, August 31st2012
The result is a superb exploration of loss, guilt and regret in Norwegian director Joachim Trier's often-unpredictable second film.
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Payback2012
The compelling human stories are often stalled behind a logjam of interviews with experts and intellectuals that are intended to add perspective but disrupt the movie's flow.
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Safety Not Guaranteed2012
Safety Not Guaranteed rewards those willing to ditch cynicism for a playful world where anything is possible.
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Tai Chi Zero2012
Exhausting to watch, Tai Chi Zero is all flash and little substance.
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Tyler Perry's Good Deeds2012
A melodramatic slog riddled with laughable dialogue that wouldn't hold a made-for-TV-movie audience past the first commercial break.
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Union Square2012
The look is minimalist but the two lead actresses add pleasing layers to characters of estranged sisters who parted ways for reasons Lucy refers to only cryptically.
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Albert Nobbs2011
Albert is at the heart of it all and we see her through her own prism of vulnerability, resulting in a very human story about the search for love, acceptance and understanding of the self.
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First Position2011
If you have a yearning to feel awkward, inadequate and lazy, watching the whirling teenage (and preteen) talents in director Bess Kargman's First Position will do the trick.
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Funkytown2011
Some tales are more successfully told than others, but they can't elevate a cumbersome and distracted script from Steve Galluccio.
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Hell and Back Again2011
We're left to decide which wounds go the deepest, those from Afghanistan or those caused by the confusion and emotional barrages he continues to suffer in America.
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Keep the Lights On2011
Observing Erik face the inevitable, that loving a drug addict means always coming second to the substance, is heartbreaking and real.
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Page One: Inside the New York Times2011
A fascinating study of a newspaper doing its best to not just survive but to continue to do so with excellence while the world tilts beneath the venerable broadsheet.
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Snow Flower And The Secret Fan2011
[A] confusing time-travelling tale that uses Lisa See's 2005 bestseller of the same name to fuel cheap sentiment and a jumbled story.
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Trishna2011
This escalation of passions and Trishna's humiliation demands much of both actors, yet neither Pinto nor Ahmed is completely convincing and this is the main flaw of Trishna.
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Wrecked2011
As much as you want Wrecked to work because Brody is that good, it starts to drag and some may soon be sneaking peeks at their watches.
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A Beginner's Guide To Endings2010
The veterans - Keitel and Simmons especially - do what's required. But the other players are trying too hard to sell their roles.
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Casino Jack2010
Casino Jack is really two movies: a convoluted tale about the exploits of disgraced Washington super-lobbyist Jack Abramoff, coupled with a zealous-if-misguided performance from Kevin Spacey in the title role.
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The Company Men2010
The cast does the heavy lifting here and carries the movie over the predictable bits, exploring the rising panic of families who face the devastation of job loss with disturbing realism.
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Fubar: Balls to the Wall2010
As with the 2002 movie that introduced us to the pair, director Michael Dowse (who co-wrote the script with Lawrence and Spence) makes it clear that these are loveable losers.
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White Irish Drinkers2010
It's hard to pinpoint the exact moment when the mediocre White Irish Drinkers goes off the rails. Maybe the problem is the predictable story just never leaves the station.
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Amreeka2009
Amreeka makes its points with gentle humour and engaging performances -- especially Faour, who makes Muna so likeable it's impossible not to cross your fingers and hope her luck is about to change.
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Collapse2009
It's only when he starts to weep for the future of a population that won't heed his warnings that Ruppert shows his humanity. It's made him abandon his cause and quit writing.
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The Fourth Kind2009
Without the true-story conceit, The Fourth Kind would be just another formula horror flick with a couple of passable jolts trying to hold a flimsy story together.
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The Trotsky2009
Tierny's script is smart and funny although some of the jokes are likely over the heads of a teen audience, who may not be up on their Russian revolutionary lore.
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Bottle Shock2008
Bottle Shock comes on too strong and sours once the cork is popped, despite a delightfully over-the-top showing by Alan Rickman.
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Beaufort2007
As long as soldiers have gone into battle they have struggled with the rightness of their actions and their purpose in the field -- no matter how firm their resolve at the outset.
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