Bachelorette2012
The best reason to see Bachelorette is Dunst, once a child star with an uncanny ability to project maturity, now an actress with an ever-increasing range.
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Casa de mi padre2012
About five minutes of its mercifully short 84 minutes would make a nice sketch on Ferrell's Funny or Die.
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Detachment2012
Everywhere you turn in Detachment, someone is trying to make you feel like hell.
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The Do-Deca-Pentathlon2012
Do-Deca is a stripped-down examination of male relationships and identity crisis. It's as if someone picked up a bromance and shook the dumb bits out.
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The Innkeepers2012
The Innkeepers makes such youthful passivity seem nearly as treacherous as opening the cellar door.
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Jiro Dreams of Sushi2012
It's beautifully photographed and explained at every stage from market to table, a foodie's dream night at the movies. The gentle shaping of the fish and sushi could lull you into a trance. A hungry trance.
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The Queen of Versailles2012
I feel contempt for my contempt for these people. Whether that's my problem or the film's, I'm not entirely sure, but I'm leaning toward blaming Greenfield.
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Red Lights2012
Red Lights reaches for a The Sixth Sense-style twist and whiffs it completely.
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Silent House2012
Sarah does any number of silly things while scurrying through this not-so-silent house, but keeps the audience on her side; you want her to get out of the house immediately but you don't get annoyed with her when she can't.
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Albert Nobbs2011
With its unpredictable sexual politics and quirky little hero/heroine Albert Nobbs has the edge of quinine, a peculiar taste that won't entice everyone but worked for me.
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Buck2011
Buck has the air of a beautiful little mystery; even knowing the uplifting outcome, you wonder at the strength that brought him to this place.
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First Position2011
At least half of these young dynamos and their families, all vying for coveted scholarships and spots in ballet companies, could brighten the most forlorn perspective on the state of the American dream.
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Friends With Benefits2011
It is elevated by energetic dialogue, the sexual chemistry between the leads and the fact that the miscommunication that keeps bliss at bay - there's always one in a rom-com, and usually it is annoyingly unbelievable - is plausible.
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Margin Call2011
Margin Call might have lost me completely if it weren't for Spacey, who delivers his meatiest, most nuanced work in years.
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Undefeated2011
I wanted it blow my mind, to flatten me. Demanding, I know.
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Warrior2011
Warrior's three principle characterizations are compelling - Nolte in particular gives a tempered performance as the shambling, sad-eyed wreck of a dad - but not enough to mask the film's lesser elements.
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Extract2009
Judge's gifts parallel those of his leading man. His plotting is full of funny, unpredictable moments but lacks the grating hysteria of the comic genre.
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