Americano2012
Americano, which Demy also wrote and stars in, is an ambivalent, occasionally touching work of homage to his parents, yet one whose clumsiness only underscores the superiority of their directly quoted films.
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Bestiaire2012
Bestiaire is, most profoundly, about the dynamics of looking, an exercise in studying gazes that are either unidirectional or, superficially, at least, reciprocated.
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Girl In Progress2012
Unconvincing, flawed matriarch Mendes and junior showboat Ramirez appear to be acting in entirely different movies.
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How to Survive a Plague2012
Dispensing with voiceover narration, How to Survive a Plague is instead a compilation of first-person remembrances, a time-toggling polyphony emphasizing both individual struggles against illness and collective action-the we of me.
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The Island President2012
Shenk's film is close enough to his subject to catch the leader who rails against carbon-dioxide emissions puffing on cigarettes in parking lots.
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L!fe Happens2012
A blonde-brunette buddy comedy with a charmless cast (Rachel Bilson plays the third roomie, a Christian virgin) and banter as flat as Deena's favorite no-strings imperative, "Bone and bolt."
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Oslo, August 31st2012
As this elegiac movie reminds us, even a shattered life matters, leaving behind an indelible, intricate imprint.
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We Have a Pope2012
Until the potent concluding scene, the humor and shallow profundities of We Have a Pope pivot on the cuteness of geriatrics, especially when they're spiking a volleyball in slo-mo.
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Another Happy Day2011
Hoping to distract us from the zero ideas found in his film, Levinson demands that his cast act loudly and unbearably...
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Being Elmo: A Puppeteer's Journey2011
Constance Marks's documentary on Kevin Clash, the kind, gentle man who created the Muppet beloved by every single child in the world, rushes through the intriguing points its interviewees bring up to devote more time to banalities.
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Dirty Girl2011
A feeble teenage-outcast movie set in 1987, Dirty Girl exists primarily as a vehicle for first-time writer-director Abe Sylvia's favorite Reagan-era jams.
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The Hedgehog2011
Mona Achache's first film follows two parallel storylines: one featuring a thoroughly insufferable little girl, the other a pleasingly grumpy middle-aged widow.
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Last Days Here2011
An affectionate look at a self-destructing maniac and his supporters that bluntly reveals Liebling's total abjection without mocking him.
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The Other Woman2011
Director Don Roos, who also scripted, wobbles tonally, sometimes disastrously.
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Over Your Cities Grass Will Grow2011
In equal parts mesmerizing and disorienting, Over Your Cities (the title comes from the biblical story of Lilith) plunges viewers into the earth, wind, and fire of Kiefer's massive-scale projects.
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Pina2011
Pina gives us the supreme pleasure of watching fascinating bodies of widely varying ages in motion, whether leaping, falling, catching, diving, grieving, or exulting.
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We Were Here2011
A simple, powerful act of bearing witness, We Were Here is a sober reminder of the not-too-distant past, when gays were focused not on honeymoon plans but on keeping people alive.
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Young Goethe In Love2011
That this film was originally titled Goethe! should give you a sense of how much silly Sturm und Drang boosterism awaits.
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Jean-Michel Basquiat: The Radiant Child2010
[Davis'] homage -- tender, never hagiographic -- also contains some biting analysis of the racism, both overt and insidious, that the artist was up against.
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Night Catches Us2010
Writer-director Tanya Hamilton's striking debut is the rare recent American-independent film that goes beyond the private dramas of its protagonists, imagining them as players in broader historical moments.
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Vidal Sassoon: The Movie2010
Craig Teper's obsequious documentary on the stylist who popularized geometric haircuts in the '60s is in desperate need of shaping and trimming itself.
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The Art Of The Steal2009
The Art of the Steal presents its aesthetes versus Phila-stines argument cogently, convincingly, and engagingly.
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Down Terrace2009
Verbal aggression makes for the biggest laughs and the surest signs of moral decay.
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The Good Heart2009
Kári's smug little arthouse offering ends up covered in Nicholas Sparks goo.
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Kings of Pastry2009
Though Chris Hegedus and D.A. Pennebaker's food-fetishizing documentary offers a welcome break from the sensibilities and manufactured crises of Bravo and TLC shows, it, too, squanders opportunities to go beyond easily digested human-interest drama.
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Making the Boys2009
Crayton Robey's documentary on this queer cultural touchstone admirably presents both sides of the divide.
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Serious Moonlight2009
Serious Moonlight has a backstory much more intriguingly dramatic than what's onscreen.
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Wonderful World2009
More impoverished than the budget is Wonderful World's script, a shopworn tale of redemption in which the constantly outraged, pot-puffing misanthrope learns that "magic is everywhere."
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Eldorado2008
Lanners's film is smart and confident enough to acknowledge that certain lives are dead ends, while others get tired of just spinning their wheels.
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Our City Dreams2008
Like rushed gallery-hopping, Chiara Clemente's doc on five multigenerational, multinational women artists, all living in New York, provides only a cursory view of what's on display.
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