Art Is...The Permanent Revolution2012
[A] lightly argued but forcefully illustrated look at the historical and philosophical interplay between the artisanal process and political art.
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Girl Model2012
The radiant sadness of its two subjects-one a soulfully impassive stripling, one a symmetrical husk-forms the center of Girl Model, and that is enough.
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Hitler's Children2012
Hitler's Children is a powerful and well-judged presentation of the stories and their impossibilities.
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October Baby2012
A slick piece of pro-life propaganda, it has relatively luxe production values, painfully earnest performances, and a drippy "inspirational" score.
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Scalene2012
Strong performances and a Hitchcock-trained eye build unnerving tension into its depiction of the intimate stress of caring for an invalid and the ways people might or might not crack under it.
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Side by Side2012
Even disinterested viewers will have complicated feelings about the aesthetic, practical, and philosophical questions director Chris Kenneally poses about his subject.
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Cat Run2011
Director John Stockwell uses split screens, a blaxploitation soundtrack, and hammy, Get Smart sound effects to put some old-school spring in Cat Run's step. It makes for an odd combination with the film's ecstatic, viscera-laden violence.
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Echotone2011
Too vital for elegy, Echotone tells an old story whose beginning -- the inception of a vibrant creative hub -- remains mysterious, although the end is easy to predict.
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Hell and Back Again2011
Working alone with a camera and his ingenuity, Dennis captured the surreality of firefights with an invisible enemy and the frustration of displaced civilians.
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Make Believe2011
Make Believe pairs a newly entrenched formula with old-fashioned, artisanal illusion.
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Revenge of the Electric Car2011
In lieu of a business case for ethics, it tells the story of that rare moment when the bottom line finally dovetails with the greater good.
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Surrogate Valentine2011
Cultivates a sweet, shucksy tone that wears thin in some of the early scenes but ultimately deepens into genuine heart.
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Tatsumi2011
If the structure sometimes disrupts the story of his life, the strong lines and melancholy sensibility of the illustration form an anchor that keep the power of Tatsumi's work firmly in view.
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A Bag of Hammers2010
A few striking performances-Ritter, Preston, and Canterbury are especially great-smooth out what might have been a much bumpier ride.
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Beneath the Dark2010
Beneath the Dark deserves better than its straight-to-basic-cable title, but not a whole lot better.
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Henry's Crime2010
Henry's Crime has a little too much in common with its aimless namesake.
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Knucklehead2010
A schmaltzy family comedy that won't pass the smell test for kids, parents, or even stoner second cousins.
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The Lottery2010
Sackler reframes education reform as a moral issue, and it's impossible to look at the fallen faces of kids turned away from a school -- of all things -- and disagree.
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Paper Man2009
An artist-in-crisis piece run through a drab but quirk-conscious indie processor.
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Finding Bliss2008
It is particularly painful to watch Sobieski -- whose unnervingly symmetrical, Botticelli face and supernatural poise can't help but hold the screen -- put through the paces of Davis's almost unbearably labored script.
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I.O.U.S.A.2008
Both a handy election primer and a bowel-rattling cry of fiscal doom.
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The Rape of Europa2007
The doc is an excellent survey of the techniques employed by the Third Reich to not just demoralize but de-historicize the countries they invaded.
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Crossing the Line2006
The reflective sequences veer between stylishly effective and drearily overstated.
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Into Great Silence2005
Into Great Silence moves into the realm of humble observation. Groning traces the passing of the seasons with beauty shots of God's creations, from snow drifts and rain puddles to flower petals and kitten whiskers.
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