The Tigger Movie2000
Anybody who first saw Tigger and learned the wonderful things about him more than 20 years ago is going to feel great, as will the very young who have been raised on Pooh and Co., one of the few cartoons that avoids hostility and violence.
full review
A Midsummer Night's Dream1999
A playful, sexy piece of work -- just what the Bard might have conjured up for a movie adaptation of his beloved spring-fever comedy.
full review
October Sky1999
Sweetness is too rare in movies these days, so audiences can feel lucky about the earnest dose of it in October Sky. This film is family.
full review
Ride with the Devil1999
An impressive cast energizes Lee's smartly balanced themes of innocence and treachery.
full review
The Rugrats Movie1998
It's a fun-filled oddity among G- rated animated movies. But some folks may conclude that the babies' creators have gone off the deep end to satisfy a '90s sensibility that favors edgy entertainment.
full review
Michael Collins1996
Handsome, but curiously cold, considering the emotional heat of Anglo-Irish matters. Fortunately, Liam Neeson commands almost every frame.
full review
James and the Giant Peach1996
James and the Giant Peach is frequently so alluring that viewers may feel the urge to get lost in the picture's curious shadings, intricate merriment and fantastical atmosphere.
full review
Jude1996
Jude is knockout Hardy, filled with stormy visual poetry and accompanied by a gorgeous yet simple score.
full review
Pocahontas1996
Disney's 33rd animated feature, and its first with characters based on real people, is a stunning movie with clever twists, vivid characterizations, insightful songs and a surprising harvest of revisionist history.
full review
Restoration1996
The movie takes on a somber, fitful atmosphere of straining epic proportions. But it strays into an episodic bog that leaves it gasping for dramatic life.
full review
Scream1996
The film plays lively games with the macabre.
full review
Eye For An Eye1995
The film, like a TV show that paints everything in black and white and aims for tabloid-style shock value, proceeds along predictable lines.
full review