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Richard Corliss, TIME Magazine

  1. Blue Is The Warmest Color 2013 The film is like a tough exam that everybody aced. The director, the actresses, the moviegoer - we all deserve a tres bien. full review
  2. The Croods 2013 The family-dramedy genre that the film inhabits demands a bit more narrative ingenuity than is on display. full review
  3. G.I. Joe: Retaliation 2013 Retaliation is less a sequel than an antidote to the calcified mound of crap that ostensibly inspired it. full review
  4. The Last Stand 2013 Slapdash in its character portraits, the movie is slambang in its action scenes; it springs to life whenever it promises death. full review
  5. Side Effects 2013 Side Effects virtually demands a three-word review: Just see it. full review
  6. Upside Down 2013 Absent any emotional grounding, the film is a gorgeous, sterile construction, like a dream city unoccupied by humans. full review
  7. 360 2012 Like the fork that usually comes with your airplane meal, 360 is plastic. full review
  8. Alps 2012 It simply demands to be stared at, in awe or incomprehension. full review
  9. Deadfall 2012 [It has] enough plot contrivances and twisted, twinned destinies for any old movie, though not necessarily a good one. full review
  10. End of Watch 2012 The performances here are so sharp that viewers may wish End of Watch has been shot by someone who knew how to find the right point of view for a scene and leave it there. full review
  11. The Grey 2012 True to its grim prospectus, The Grey dwells in haunted machismo to the very end. full review
  12. The Hunger Games 2012 Can The Hunger Games, in the movie version directed by Gary Ross, successfully navigate the crossing from page to screen? Our answer: Eh. full review
  13. The Intouchables 2012 Not a great film but a warm one that pushes the viewer's emotional buttons so deftly it feels like a massage. full review
  14. The Invisible War 2012 Dick's films often strut with a lilting impudence, but his new work is dead-serious, as suits the subject. full review
  15. Mirror Mirror 2012 Even if you're as annoyed by the movie as I was, you'll come out laughing the costumes. full review
  16. Nobody Walks 2012 The acting ensemble is crucial. Everyone's really fine. full review
  17. The Raven 2012 Until The Raven almost literally loses itself during a chase in the city sewers, it nicely balances its literary gamesmanship with a R-rated thriller's mandatory gross-out tableaux. full review
  18. Red Hook Summer 2012 Peters brings a magical energy to the movie's most laggard moments, infusing a so-what drama with a must-see performance. full review
  19. Skyfall 2012 The cool accomplishment of Skyfall, 23rd in the Broccoli franchise, is that it seems a necessary, rather than mandatory, addition to the year's popular culture. full review
  20. Sleepwalk With Me 2012 Sleepwalk is oddly soothing, like a cup of camomile tea before bedtime. full review
  21. Tonight You're Mine 2012 If the film is to work at all - and it eventually does - the two 27-year-old leads must radiate enough star quality to obviate the ramshackle plot. They just about do. full review
  22. The Woman in the Fifth 2012 This pensive, seductive drama is full of devious strategies, which begin with its protagonist's name: T. Ricks. Tricks. full review
  23. The Adventures of Tintin 2011 Motion capture, which transforms actors into cartoon characters in a vividly animated landscape, is the technique Spielberg has been waiting for - the Christmas gift ... that he's dreamed of since his movie childhood. full review
  24. Footloose 2011 Maybe there is something timeless in anachronism. Maybe Brewer has located the heart beneath the hoke. full review
  25. Into The Abyss 2011 It provides intimate glimpses of people usually seen, and then only briefly, as faces on a post-office wall or numbers in a cemetery. full review
  26. The Other Woman 2011 It's a kind of unofficial sequel or sibling, three decades later, to Robert Benton's Oscar-winning Kramer vs. Kramer. full review
  27. Paranormal Activity 3 2011 The filmmakers throw in a few cheesy scares: mom in a monster mask, a baby sitter jumping in front of a camera. But the rest is pretty freaking cool. full review
  28. Pina 2011 Pina is, in every way, a moving experience. full review
  29. Freakonomics 2010 When this freakumentary hooks up with Urail King, it gets an A. full review
  30. The Joneses 2010 In its amiable, ambling way, The Joneses is a zeitgeist film: it says as much as a Michael Moore screed about the American way of debt. full review
  31. Nowhere Boy 2010 The reason to see Nowhere Boy is the charismatic Johnson, who effortlessly nails Lennon's strut, anger and sensitivity. Anybody seeing the movie could surely spot a star in the making. full review
  32. The Fourth Kind 2009 You'd do better downloading an old Art Bell show -- say, the one about the guy who put an alien in his freezer -- than investigating this evidence of subnormal activity. full review
  33. Anger Management 2003 Even a longtime Adamophobe has to admit that Sandler is an agreeable presence here, and that the film has some funny filigree work to offset the oppressive schematics. full review
  34. Spider-Man 2002 In emphasizing angst over energy, the movie is much like its hero -- not the dashing crime fighter in a red-and-black bodysuit but the introspective nerd who both endears and exasperates. full review
  35. Crouching Tiger, Hidden Dragon 2001 High art meets high spirits in a rapturously romantic epic that really kicks butt. full review
  36. American Psycho 2000 It needs to be seen and appreciated, like a serpent in a glass cage. full review
  37. The Emperor's New Groove 2000 Emperor doesn't aim too high or strain too hard; it is at ease inhabiting its pretty, miniature realm. full review
  38. South Park: Bigger, Longer and Uncut 1999 A happy surprise!
  39. Pi 1998 Aronofsky, who has parlayed this movie's Sundance success into two Hollywood deals, is that rare indie filmmaker who doesn't want to make hip romantic sitcoms. He's a genuine experimenter with a spooky visual style. full review
  40. The Prince of Egypt 1998 The film lacks creative exuberance, any side pockets of joy.
  41. Shakespeare in Love 1998 Let the kids toy with their Rugrats and hold their Sandler high. Shakespeare in Love is a movie to please the rest of us.
  42. Hercules 1997 This is a bright movie, in both senses of the word. full review
  43. The House of Yes 1997 Bujold has the frazzled hauteur of an aging, neglected star, and Spelling is nicely glazed, studiously artless. But the film is keyed to Posey's performance: perfectly brittle, faultlessly false. full review
  44. The English Patient 1996 The cast is superb: Binoche, with her thin, seraphic smile; Scott Thomas, aware of the spell she casts but not flaunting it; Fiennes, especially, radiating sexy mystery, threat shrouded in hauteur. Doom and drive rarely have so much stately star quality. full review
  45. Fargo 1996 All attitude and low aptitude. Its function is to italicize the Coens' giddy contempt toward people who talk and think Minnesotan.
  46. The Hunchback of Notre Dame 1996 The result is a grand cartoon cathedral, teeming with gargoyles and treachery, hopeless love and tortured lust. full review
  47. James and the Giant Peach 1996 We fully anticipate the wrath of several generations of possessive children when we declare that the new Disney film of James and the Giant Peach is an improvement on Roald Dahl's 1961 backyard fantasy. full review
  48. Pocahontas 1996 [A] handsome, deeply felt, even more deeply reverent animated musical. full review
  49. The Doom Generation 1995 Not every kid may be as mad and morose as Araki's lost boys... But a lot are, and in this fevered fantasy of Armageddon, he's got their number.
  50. Clerks 1994 The film looks no more expensive than it was; some of the acting (by local nonprofessionals) is spectacularly amateurish; the story is a series of anecdotes about hockey, shopping and loving the one you're with. But it's worth loitering in this shop.
  51. Hoop Dreams 1994 It's about three hours long. But it moves like Isiah, fast and smooth, and it's over in a heartbreak. full review
  52. Pulp Fiction 1994 Tarantino's guilty secret, which the international critics should have noticed, is that his films are cultural hybrids. full review
  53. The Nightmare Before Christmas 1993 A fun house of funereal glamour. full review
  54. What's Eating Gilbert Grape 1993 Suggests that the true heroes are those people who day by day must tend to misfits, and do so with love, tenacity and a determination not to go terminally sour in the process. full review
  55. Enchanted April 1992 In a raucous movie summer, this is a film for those who appreciate wisteria and sunshine, and a recollection of a time when women and movies could be purveyors of enchantment. full review
  56. The Silence of the Lambs 1991 A pretty sharp new thriller. full review
  57. Terminator 2: Judgment Day 1991 A humongous, visionary parable that intermittently enthralls and ultimately disappoints. T2 is half of a terrific movie -- the wrong half. full review
  58. Cry-Baby 1990 Waters' hole card is Johnny Depp, the winsome tough from TV's 21 Jump Street, who radiates big- screen grace and swagger as Cry-Baby -- no easy trick, since he is guying his own image. full review
  59. Ghost 1990 A bad movie that a lot of people will like. full review
  60. The Grifters 1990 Best to savor The Grifters for its handsome design -- the picture looks as clean as a Hockney landscape -- and its juicy performances. full review
  61. Bull Durham 1988 Shelton locates the tension and the humor between pitches, between ball games, between the sheets. It helps too that he has written the wittiest, busiest screenplay since Moonstruck, and that his three stars do their very best screen work. full review
  62. Who Framed Roger Rabbit 1988 The opening cartoon upstages the movie that emerges from it. full review
  63. Broadcast News 1987 All the performers are tops. full review
  64. Fatal Attraction 1987 [The film brings] horror home to a place where the grownup moviegoer actually lives. full review
  65. Silverado 1985 Agreeable but never compelling. full review
  66. The Terminator 1984 As for Schwarzenegger, he nicely fleshes out the convention of a soulless gun for hire. With his choppy hair, cryptic shades and state-of-the-'80s leather ensemble, he looks like the Incredible Hulk gone punk. full review
  67. Flashdance 1983 Unlike its grittily romantic predecessors, Flashdance is pure glitz. full review
  68. Raging Bull 1980 De Niro is always absorbing and credible, even when his character isn't. full review

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