Writer-director-actor Evan Glodell's testosterone-fueled fever-dream indie Bellflower impresses less for its screeching take on extended adolescent fury than for its own macho, wacko, pedal-to-metal embodiment of same.
With its jolting images of flammable tap water and chemically burned pets, New York theater-director-turned-documentarian Josh Fox's Sundance-feted shocker makes an irrefutable case against U.S. corporate "fracking."
The Devil Came on Horseback
Devil ponders the optimism/pessimism = apathy/x equation as honestly and studiously as any doc I've ever seen.
Among the great docs about moviemaking.