Kai Po Che!2013
Its performances are enjoyably boisterous, and director Abhishek Kapoor refuses to linger on cliches for too long ...
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Assassin's Bullet2012
[A] dippy hodgepodge of hitman action, illogical romance and geopolitical commentary.
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Cellmates2012
A near complete exercise in mirthlessness and atonal satire, "Cellmates" is a sentence, all right.
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Crazy Eyes2012
One of those exercises in masculine self-pity and glib misogyny that frustrates because of its shortsightedness.
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Dangerous Liaisons2012
Zhang, expertly conveying someone closed off yet silently sensual, even rolls out a tear during a moment of impending intimacy as exquisitely timed as a dancer's move.
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Dark Tide2012
The only palpable emotion from "Dark Tide" is sadness for Berry, treading water in dreary efforts like this.
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Detachment2012
There's something weirdly effective about the artistic desperation, which includes inserts of chalkboard animation and to-the-camera testimonials.
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The FP2012
"The FP" so desperately wants to be cultishly admired for its bad-taste rollout of wacko characters, ugly costumes and vulgar slang that it forgets to be genuinely offbeat or funny.
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Gayby2012
What lifts Gayby above its sitcom trappings is its emotional generosity and easy warmth, the sense that characters are defined by -- and made funny through -- their aspirations, not their way with a one-liner.
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Goats2012
Nibbles on a lot of stuff it never gets around to digesting.
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The Innkeepers2012
There's a skillful appreciation here for the kind of subjective dislocation behind the best ghost stories, and in this era of bloody-disgusting, that kind of smart ambiguity is welcome indeed.
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My Way2012
"My Way" is combative to a thematic and stylistic extreme.
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North Sea Texas2012
"North Sea Texas" explores emergent sexuality and first love with a refreshing optimism.
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Safe2012
Yakin gives his star plenty of room to look mean, think fast, drive faster, punch, quip, mow down and charismatically bond with the most imperiled child character in screen memory.
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Seeking Justice2012
[Cage] acquits himself well enough in this otherwise rudimentary thriller from deliriously unsubtle director Roger Donaldson.
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Special Forces2012
It's not only Americans who can make leaden, video game-style exercises in dumb war action.
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Tai Chi Zero2012
"Tai Chi Zero" is often more distracting than diverting with its everything-goes aesthetic - there are strains of steampunk, manga and silent film comedy, with video-game touches.
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Tonight You're Mine2012
If only the falling-in-love machinations and character details weren't so wispy, "Tonight You're Mine" might have had more resonance.
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Ultrasonic2012
The kind of grimly serious low-budget indie that wants to shake up perceptions about our engagement with the world, but mistakes repetition for resonance.
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The Viral Factor2012
It takes a special kind of action director to use chaotic, human-filled public spaces for high-energy foot chases, auto stunts and gun battles yet never once get under the skin with a sense of genuine danger.
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The Zen Of Bennett2012
We see an art form bridge generations with a strange mixture of grace, joy and melancholy.
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Angel of Evil2011
Gangster cliches fly like submachine gun bullets in the Italian crime biopic "Angel of Evil," a restless and hollow rundown of '70s criminal Renato Vallanzasca.
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Bellflower2011
This frequently dazzling, eccentric portrait of mutually assured destruction is that most delirious of combos: charmingly funny and emotionally terrifying.
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The Chaperone2011
Like last year's "Legendary" and "Knucklehead," which didn't exactly slam moviegoers to the mat with their entertainment chops, this haphazardly clichéd comedy-drama about redemption similarly suffers.
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Dirty Girl2011
[Sylvia's] attempts at situational humor on the road - including a stripping scene for Dozier as coming-out metaphor - fall embarrassingly flat.
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Going Down In La-la Land2011
It's...familiar plotting and by-the-numbers characterization that sinks this earnest, gay-contoured take on the evergreen making-it-big melodrama.
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Gun Hill Road2011
Before some predictable, freedom-threatening recidivism on Enrique's part, the film exhibits a simultaneously anthropological and sensitive interest in Michael's day-to-day life...
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I Melt with You2011
A fanfare for the common jerk that taints every '80s-era alt-rock soundtrack tune it touches, "I Melt With You" assuredly marks itself as one of 2011's most ludicrous releases.
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Ironclad2011
The loud, closely photographed limb-hacking becomes as monotonous as the movie's unrelentingly gray palette.
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Ladies vs Ricky Bahl2011
One's diminishing interest in the nuts and bolts of cheating a cheat can be forgiven when the sheer star wattage of the peppy cast is in close-up overdrive.
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The Perfect Host2011
What aims for Hitchcockian slyness ends up an inconsequential jumble in the comedy thriller "The Perfect Host."
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Stake Land2011
Shows that a savvy mixture of characterization, atmosphere and gore-eographed suspense can make even the most familiar fright tropes feel vaguely organic again.
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Stay Cool2011
Attempts to pay homage to the '80s oeuvre of filmmaker John Hughes, but its singular lack of emotional logic, charm and humor bring to mind a couple of hours in detention instead.
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The Ward2011
"The Ward" is bland shock therapy from the guy who reinvented bloody peek-a-boo with the classic "Halloween."
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A Bag of Hammers2010
It's too little, too late for Crano's Wes Anderson-inflected innocence-disrupted project...
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Black Death2010
Early on "Black Death" falls victim to its own sluggish sickness, its narrative drive proving no match for the aggressively rotted pallor, dour acting and tiresomely handheld you-are-there aesthetics.
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The Killing Jar2010
What dribbles out is a series of repetitive, dull, cliched showdowns until most of the cast is gruesomely dispatched and the twist-that-isn't-a-twist is revealed.
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Monsters2010
Although the vérité aesthetics of Monsters will invite comparisons to Cloverfield and District 9, what galls most is the infuriating lack of purpose beyond its backdrop.
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Ong Bak 32010
Beware bone-crushing action stars bearing messages of peace and enlightenment.
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Rubber2010
"Rubber" has anthropomorphic, head-scratching fun with its gory B-movie trappings, silly music cues, self-referential comedy and deliberately off-kilter acting.
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Waiting for Forever2010
With "Waiting for Forever," an insipid contemporary fairy tale about a lovestruck young vagabond shadowing a childhood sweetheart he can't bring himself to approach, we get stalking, juggling and cancer. Happy Valentine's Day!
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Collapse2009
Collapse" is a grueling peek at a doomsday prophet's rigorous mind but in a sly way also a compassionate look at the strain Ruppert endures from knowing he has only ever been right.
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The Eclipse2009
The Eclipse finds plenty of heartfelt gravity in its tale of love lost and found on a gothic coast.
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The Fourth Kind2009
Writer-director Olatunde Osunsanmi attempts an Orson Welles-like confluence of "real" and imagined that might have worked had he gotten out of the way more, literally and figuratively.
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The House of the Devil2009
West's assured way with widescreen framing, long takes and silences followed by sharp if explainable noise are almost cruelly funny in their heart-stopping pleasures.
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The Infidel2009
An admirably cagey effort to mine humor from the thorny cultural and racial divide that is Muslim-Jewish relations.
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The Lodger2009
This strained, empty effort doesn't work as homage or update, and in its darkly violent sensibility has neither the glamour of Brian De Palma's referential nightmares or even the narrative fuel of the serial-killer-obsessed procedurals that dominate tv.
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Paper Man2009
The quirk-laden indie Paper Man brings together a novelist who won't grow up with a sullen teenage girl for mutual wallowing, eccentric high jinks and life lessons but, unfortunately, little reason to care.
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Valhalla Rising2009
You sometimes wish Refn's gift for Ridley Scott-level mayhem had won the battle over his much iffier Werner Herzog leanings.
Barry Munday2008
D'Arienzo's love of trite indie-movie signposts of comic quirkiness -- deadpan delivery, overly formal camerawork, characters delivering dialogue into the camera, stunt casting -- is ultimately regrettable.
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Bustin' Down the Door2008
Bustin' Down the Door entertainingly captures surfing's last great hoorah of no-holds-barred radicalism.
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Constantine's Sword2008
The movie covers an immense amount of shameful historical ground, but the soft-spoken Carroll's mission is less about winning an argument than prodding true believers
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Descent2007
It's indie provocation trapped between shock and blah.
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The Order of Myths2007
An invaluable portrait of us-and-them America, a smart, generous, poignant, quietly disturbing movie about secrecy and hospitality.
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End of the Spear2005
The slickly produced Christian docudrama End of the Spear recounts with spiritual breathlessness the circumstances surrounding the real-life killings of five missionaries at the hands of a violent indigenous Amazon tribe in Ecuador in 1956.
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