2 Days in New York2012
These two days skip by in a movie that plays like early Woody Allen, with Julie Delpy as the blonder, French-accented Keaton, this time the center of the action and very much in charge of the mess she makes around her.
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3602012
It's as interesting as a viewing exercise as it must have been as a writing exercise. But traveling 360 degrees with your story means you end up right back where you started.
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Act of Valor2012
It's a furiously macho saga scripted by the screenwriter of 300 and starring real Navy SEALS, those always-get-their-man men of mystery.
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Amber Alert2012
We've seen ghosts and Blair witches and demons and zombies in this growing "found footage" genre. But Amber Alert brings a little something new to the form - the urgency of pursuit, risks with real-world consequences.
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Bernie2012
Jack Black, in the greatest performance of his career, makes us see what the people of Carthage, Texas, saw in Bernie Tiede...
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Bringing Up Bobby2012
Famke Janssen only rarely finds her way to the lowdown and lowlife world of the characters, and never and brings "Bobby" up to the level of pathos of "A Mother's Sacrifice" that she was aiming for in the first place.
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Butter2012
About as subtle as a slab of lard served on a slice of ham.
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Casa de mi padre2012
Ferrell hurls himself into the melodramatic, heavy-breathing telenovela style of acting. And surrounded by actors who know the genre and get the joke (Efren Ramirez from Napoleon Dynamite among them), this send-up works.
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Compliance2012
A thriller that permits you to stay two or three steps ahead of it. It's a film that makes you yell at the screen, to shout "Come ON!" at many a moment that seems to defy credulity.
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For Greater Glory2012
If you're making a movie aimed at people of a particular faith, you might want to cut it below an R-rating. And if you're going to attempt an epic, you need to spend more money than this.
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God Bless America2012
Attempts at being wacky and hip and flip fall flat as we're treated to lectures on the genius of Alice Cooper and the "civilization" that has ceased being civilized.
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The Grey2012
I couldn't decide if they lost track of the wolves in the editing, or if Carnahan realized how Twilight-fake the beasts looked and limited their scenes in the final edit.
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Haywire2012
Gina Carano has a face that can hold a Hollywood close-up and a fist that can hold your nose until it comes clean off.
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The Imposter2012
A mesmerizing con-artist comedy and a chilling true crime thriller...
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The Innkeepers2012
Writer-director Ti West goes where many -- especially Stephen King -- have gone before...
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Intruders2012
Horror has been so dumbed down in recent years that it's a minor miracle when a movie in this genre actually gives you something to ponder, something more than omnipotent nuts-with-knives or teenagers trapped in abandoned summer camps.
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Mansome2012
You get a feeling of haste from this film, as if Spurlock...is onto something, but maybe doesn't have the time or patience to stick with it to widen his approach and find sharper people to sharpen his material.
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Marley2012
Every now and then, the movie comes close to placing us where the music often did - in the realm of the mystical, with a beat everybody could dance to.
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Nature Calls2012
More "Hangover" than "Moonrise Kingdom," but with elements of both. And more than a few rude and raunchy laughs.
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Nobody Walks2012
Like a lot of films in the chatty genre labeled "mumblecore," "Nobody Walks" glides by on little money, few incidents and a lot of conversations -- some of them without words.
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October Baby2012
Timed to come out in the middle of a political dogfight over birth control, when candidates tell their supporters that they'll "get rid of Planned Parenthood," October Baby could have hot-button appeal for a certain audience.
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One for the Money2012
Didn't Jennifer Aniston already do a bounty hunter movie? Talk about sloppy seconds.
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Red Lights2012
Bogs down in its middle acts, losing track of the epic struggle it sets up, but rallies for a fine finale that most won't guess until it shows up
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Safety Not Guaranteed2012
It's the film's attempt at a conventional, big budget finale, with a big prop(Think H.G. Wells)...that trips it up.
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Seeking Justice2012
No, it's not much better than the dreck Cage has been shoveling at us in recent years - a tad smarter, perhaps. But as in life, he keeps getting up off the mat and coming back for more, even if much of his audience isn't returning the favor.
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Silent House2012
A movie whose terror can be read in every silent scream on Olsen's gorgeous face, served up in more extreme close-ups than you can count.
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Tyler Perry's Good Deeds2012
A few good scenes, a few solid messages...But he's such a dull dramatist and boring actor that the message isn't delivered.
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The Adventures of Tintin2011
The Adventures of Tintin can be a delight to look at, even if motion capture isn't your particular cup of animation tea.
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The Artist2011
"The Artist" drags, as any film telling its story with its mouth and ears tied behind its back can be expected to. But it's a lovely bit of froth, the meringue on a cinema season that is both high-minded and awards oriented.
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Coriolanus2011
The great actors, from Welles onward, want the popular audience to see what they see in Shakespeare -- that he still matters, that he still moves, thrills and teaches. With "Coriolanus," Fiennes brilliantly takes his place in their ranks.
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The Flowers of War2011
Veering from the sensational to the maudlin, this is a compromised epic that panders to the Chinese audience.
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Machine Gun Preacher2011
With all the talk of "Kony/KONY 2012" wending its way into the culture, this movie gives a vivid picture of who this villain is and why the world should be doing something about him.
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Trishna2011
Pinto, stoic and stunning, demonstrates why this heroine and this tale of her woe still have power more than 150 years after it was written.
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Young Adult2011
Diablo Cody and Jason Reitman have still managed to get at a fundamental truth that screenplays traditionally ignore. People don't change. Character "arc" is one of those myths that movies perpetuate.
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