I Wish2012
Transforms the commonplace into the extraordinary.
full review
Last Ride2012
The Australian outback, the setting for most of Last Ride, an extraordinary film for which the locale is a quiet, almost secret catalyst.
full review
Monsieur Lazhar2012
With a few folds, this story could have made a script for John Barrymore, like Topaze, or for Chaplin.
full review
Unforgivable2012
[Unforgivable] sets out as an account of unusual lives, finishes as a portrait of a society -- one that lives between the conventional and the openly low.
full review
We Have a Pope2012
Moretti's latest work looks at the church sympathetically, veristically, comically.
full review
Goodbye First Love2011
Writer-director, Mia Hansen-Love, whose third feature this is, has addressed her subject with complete emotional confidence.
full review
Polisse2011
[O]ne of the best based-on-facts police pictures.
full review
Sangre De Mi Sangre2007
Plot flaws and all, we can be glad that the picture was made -- because of its acting.
Trumbo2007
It is oddly pleasant to know that such a man once existed.
full review
United 932006
This limitation in source material has had a peculiar effect on the script. Never is there a moment of repulsive sentimentality or exploitation, but neither is Greengrass able to realize an ultimate purpose.
full review
World Trade Center2006
(Director Oliver) Stone has concentrated on one of the catastrophe's stories and has fashioned it well -- with almost palpable physical detail, and with performances that never sink to exploitation.
The Passion of the Christ2004
[Gibson's] film, virtually stripped of Jesus's incandescent views, is little more that a record of one of the thousands of barbarities committed by the Romans in Judea.
full review
Touching the Void2003
A wondrous recreation of that physical adventure.
Igby Goes Down2002
In all, Steers has insured that this teenage film will be recognizable to teenagers but not limited to them.
Love the Hard Way2001
Brody creates exactly the taunting demi-monster who could inveigle Claire.
As Good As It Gets1997
Nicholson struggles for the core of the man but never gets it; so, in most scenes, he resorts to working his face, with grimaces and sneering smiles and lip-pursings in place of acting.
Pulp Fiction1994
The way that this picture has been so widely ravened up and drooled over verges on the disgusting. Pulp Fiction nourishes, abets, cultural slumming.
full review