Bloody Sunday2002
Bloody Sunday not only is a classic study in the way things can go devastatingly, violently wrong, but also a lesson in the importance of not letting that happen.
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Bowling for Columbine2002
At its best, which occurs often, Michael Moore's Bowling for Columbine rekindles the muckraking, soul-searching spirit of the 'Are we a sick society?' journalism of the 1960s.
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The Dangerous Lives of Altar Boys2002
Recalls The Virgin Suicides, Ghost World and Waking Life. If it's not as good as those, it isn't for lack of heart or ambition.
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Igby Goes Down2002
This 'dark comedy' has an amazing amount of heart to go with its darkness.
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The Master of Disguise2002
Neither [Carvey] nor semi-competent director Perry Andelin Blake have the ability to sustain a scene or idea.
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Punch-Drunk Love2002
Everything about Punch-Drunk Love works in a Being John Malkovich sort of way save one. Sandler. When your star doesn't work, it's hard to get us to buy into the rest of a movie as unusual as this.
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The Sum of All Fears2002
The explosion essentially ruined -- or, rather, overpowered -- the fiction of the movie for me.
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Treasure Planet2002
One wants good storytelling from animated films, and Treasure Planet is working with a good one. But, like pirates hoarding gold, it gets greedy trying to wow us with too much.
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Vanilla Sky2001
A film that, despite intriguing ideas, cleverly tricky structure and some remarkable imagery, just doesn't work.
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Malena2000
The film lacks a focused, compelling narrative -- perhaps because Tornatore is trying to manufacture a hit by juggling story elements more forced and manipulative than felt.
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Traffic2000
Traffic sometimes has the impact of a tense war film or a grittily modernist, post- Godfather crime epic such as Heat or Goodfellas.
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Superstar1999
Superstar will rank closer to Wayne's World than It's Pat or Roxbury. In Saturday Night Live terms, that constitutes a masterpiece.