The Missing Person2009
A drab, pale-looking affair without a trace of visual style, this cross-country pursuit yarn fights a losing battle to sustain viewer attention via narrative alone, so much does it flounder for lack of imagistic flair.
full review
American Violet2008
Earnestly presented and well acted, particularly by newcomer Nicole Beharie in the central role, the film shares with many other such agenda-driven dramas a complete lack of narrative surprise, merely connecting the dots.
full review
Downloading Nancy2008
Renck indisputably proves he's able to sustain a tone, but it's a pretentiously solemn one in which the wallow in extreme psychological and emotional realms are continuously disrupted by silly and distracting real-life details.
full review
An American Crime2007
Not even the considerable talents of lead thesps Catherine Keener and Ellen Page can alleviate the artistic nullity that is An American Crime.
full review
Chop Shop2007
The third feature by Iranian emigre Ramin Bahrani follows the lead of his last pic, Man Push Cart, in tightly observing a protag on the most invisible margins of U.S. life.
full review
The Go-Getter2007
Writer-director Martin Hynes takes advantage of the vast possibilities of the open road and what can only be refashioned personal experience to invigorate The Go-Getter, an unusually fresh-feeling indie with a nice sense of style.
full review
Anger Management2003
A couple of brakes-off set pieces to the side, the antics here are strained, graceless and tiresomely crude, the sorts of things audiences feel they're supposed to laugh at rather than well-developed situations that generate genuine amusement.
full review
Atlantis - The Lost Empire2001
This blandly conceived and executed attempt at a juve-style Indiana Jones with Jules Verne trappings recycles familiar adventure and cartoon devices with minimal wit and flair.
full review
Cop Land1997
Although too simplistic in its good-guys/bad-guys approach to morally and emotionally ambiguous material, Cop Land emerges as an absorbing and dramatic yarn about exposing the evil doings of some of New York's finest.
full review
Face/Off1997
Watching John Travolta and Nicolas Cage square off and literally exchange roles brings back the old-fashioned pleasure of astutely judged movie star pairings in a major way.
full review
The Frighteners1997
Story was originally conceived as an episode of "Tales From the Crypt," and that is perhaps what it should have remained, as the thinness of the conceit shows throughout, painfully so in the first half.
full review
Gridlock'd1997
An engaging look at a mangy day in the lives of two junkies trying to kick, Gridlock'd would have been a good mid-level B.O. performer even without the interest surrounding it, due to the recent death of co-star Tupac Shakur.
full review
Jackie Brown1997
Offers an abundance of pleasures, especially in the realm of characterization and atmosphere.
full review
Liar Liar1997
Close to an ideal jumping-off point for Carrey, who spends the better part of an hour grotesquely physicalizing his scummy lawyer's struggle with being obliged to utter cold, hard facts.
full review
The Rainmaker1997
Coppola has never been particularly known for his comic touch, but here he seems bent on leavening the melodrama with as many laughs as possible, and they are generally honest and well-earned.
full review
Michael Collins1996
Intelligent, enormously accomplished and seriously problematic, Neil Jordan's ambitious account of the activities of arguably the central figure in Ireland's painful, bloody fight for independence from the British Empire has a great deal to offer...
full review
Beautiful Girls1996
This startlingly uneventful compendium of thick-headed boy-talk and female tolerance squanders a fine cast on incredibly ordinary characters and situations.
full review
Bad Boys1995
Even when it's not particularly funny, their interplay is engaging, and their lively, raucous personalities keep the proceedings punchy and watchable for the slightly overlong running time.
full review
Blue Chips1994
A deafness-inducing but otherwise ho-hum would-be expose of shady recruiting practices by college basketball programs.
full review
Clear and Present Danger1994
Narrative complexity and momentum make this a true cinematic equivalent of an absorbing page-turner.
full review
The Crow1994
A seamless, pulsating, dazzlingly visual revenge fantasy that stands as one of the most effective live-actioners ever derived from a comic strip.
full review
Hoop Dreams1994
A prodigious achievement that conveys the fabric of modern American life, aspirations and incidentally, sports, in close-up and at length, Hoop Dreams is a documentary slam dunk.
full review
The Beverly Hillbillies1993
It's thin stuff, but the ingratiating naivete of the characters and the aw-shucks friendliness of the cast are disarming, and it becomes easy to just let this go down as a country tune with some moonshine on the side.
full review
In the Name of the Father1993
Miscarried justice often provides the vehicle for emotionally wrenching drama and histrionic fireworks, and such is the case in spades with In the Name of the Father.
full review
The Nightmare Before Christmas1993
The dazzling techniques employed here create a strikinglook that's never been seen in such sustained form, making this a unique curio that will appeal to kids and film enthusiasts alike.
full review
What's Eating Gilbert Grape1993
Swedish director Lasse Hallstrom and his fine cast have endowed the story with a good deal of behavioral truth and unstressed comedy.
full review
Reservoir Dogs1992
Undeniably impressive pic grabs the viewer by the lapels and shakes hard, but it also is about nothing other than a bunch of macho guys and how big their guns are.
full review
Platoon1986
The artistic veneer Stone applies, along with the simpy narration provided for Sheen in the way of letters to his grandmother, detract significantly from the work's immediacy.
full review