Avril Angers

1951. Scotland Yard are unable to pin a charge against a gang of six criminals even though they are positive of the identities.

A funny and compassionate tale about the troubles of young newlyweds, whose marriage has yet to be consummated, while other people get in the way.

An irreverent black comedy adapted by Frank Launder and Sidney Gilliat from their play, The Green Man marked the directorial debut of camera operator Robert Day. A scintillating Alastair Sim plays Hawkins, a timid watchmaker with a part time job – he is also a professional assassin who bumps off the people we love to hate. But when the philandering MP Sir Gregory Upshott is the intended target, vacuum cleaner salesman William Blake and Hawkins’ new neighbour Ann Vincent repeatedly get in the way. As the time of the assassination draws ever closer and Hawkins tracks his victim to a dilapidated seaside hotel called the Green Man, the laughs and the tension steadily rise to a brilliant climax. An enormously entertaining farce that ticks all the genre's boxes (mistaken identities, compromising positions, much panicking and slamming of doors).