Gio Petré

Mai Zetterling’s feature debut weaves together the lives of three women, each reflecting on their personal and sexual lives as they arrive at a maternity ward in the summer of 1914. Through flashbacks, fragments of their lives and loves are retold – incestuous love, masochistic love, lesbian love, destructive love. The film caused some upset at Cannes but received overwhelmingly positive reviews.

When the star of a top TV crime series is found dead on set, the show's writer becomes the prime suspect in a whodunit that envelops the cast and crew.