Hiroyuki Konishi

After landing on a random planet, Captain Hyuga of Zap Spacy and Rei are confronted unexpectedly with the fake Ultraman and Ultra Seven.

Son of the legendary Ultra Seven, rookie Ultraman Zero receives training from his master Ultraman Leo on his way to becoming a qualified fighter.

Throughout the 1980s, Shohei Imamura (The Pornographers, Profound Desires of the Gods), a leading figure of the Japanese New Wave era of the 1960s, cemented his international reputation as one of the most important directors of his generation with a series of films that all competed at Cannes to great critical acclaim. Making its HD debut, Zegen (1987) takes a satirical look at Japan's pre-war colonial expansion through the unscrupulous eyes of its flesh-peddler antihero as he establishes a prostitution enterprise across Southeast Asia. This work epitomises the director's almost documentary style of filmmaking, exposing the vulgar yet vibrant and instinctive underbelly of Japanese society through a sympathetic focus on peasants, prostitutes, criminal lowlife and other marginalised figures to explore the schism between the country's timeless pre-modern traditions and the modern face it projects to the world.