Paul Harvey

At a high-society dinner party, a wealthy, older, married man sets his sights on a beautiful girl, who is loved by a younger and not-so-wealthy man.

Freddie Fisher and his Schnickelfritz Band, and Ernest Tubb and his Texas Troubadors are two bands. Both bands are vying for the same radio spot and outwit themselves by impersonating each other.

Doris Day and Ray Bolger star as a chorus girl and a diplomat who meet and fall in love all because of a bureaucratic snafu. There's plenty of singing, dancing and romance when it's April in Paris.

When their cattle transporter raises his rates, a group of ranchers turns to Roy Rogers to find a different way to get their herds to market.

Sheer, utter madness is the order of the day in this laugh riot on wheels that features one of America's all-time favorite funnymen, Red Skelton. In a story ranging from the weird to the whimsical, Skelton plays "Red," an accident-prone inventor of safety gadgets (no one can bump his head any funnier) who winds up driving a cab to prove the worth of his latest brainchild, Elastiglass. But while he is falling in love with the cab company's claims adjuster (Gloria De Haven), a crooked lawyer (Edward Arnold) and a phony psychiatrist (Walter Slezak) are plotting to steal his secret formula. One attempt results in a hilarious truth-serum sequence that sends Red back to the playpen and his famous "mean widdle kid" characterization. Climaxed by a frenzied free-for-all chase inside a home-show exposition - complete with a rotating house-of-the-future gone berserk - The Yellow Cab Man features Red Skelton's broad brand of comedy at its wacky best.

A musical comedy about a Brooklyn boy who inherits a fortune from his archaeologist father, but must travel to Egypt to claim it.