Shinichi Himori
10 titles
Filmography
10 results
The Only Son
(1936)The Masseurs and a Woman
(1938)A collection of crisscrossing miniature studies of love and family at a remote resort in the mountains. With delicate and surprising humor, it paints a timeless portrait of loneliness and the human need to connect.
Ornamental Hairpin
(1941)Two bruised souls enact a tender, hesitant romance in Hiroshi Shimizu's alternately poignant and playful wartime love story. A soldier (Chishu Ryu) is forced to prolong his stay at a rural spa when he accidentally cuts his foot on the titular object. Soon enough he tracks down its lovely owner (Kinuyo Tanaka) and finds himself smitten.
I Graduated, But...
(1929)Jubilation Street
(1944)As World War II escalates, the tight-knit habitants of a street in Tokyo must relocate from their homes so that the government can use the space. Kinoshita's sensitive film, beautifully and resourcefully shot on a single set, traces the fears and desires of the evacuees.

Ikiru
(1952)A dying man devotes his last months to building a children's playground.

Street Without End
(1934)The life of a waitress takes a suffocatingly domestic turn after she marries the wealthy businessman who accidentally hit her with his car.

Scandal
(1950)A surprising celebrity photograph sparks a court case as a tabloid magazine spins a scandalous story about a painter and a famous singer.
There Was a Father
(1942)Yasujiro Ozu’s frequent leading man Chishu Ryu is riveting as Shuhei, a widowed high school teacher who finds that the more he tries to do what is best for his son’s future, the more they are separated. Though primarily a delicately wrought story of parental love, There Was a Father offers themes of sacrifice that were deemed appropriately patriotic by Japanese censors at the time of its release during World War II, making it a uniquely political film in Ozu’s body of work.