Florynce Kennedy

Lizzie Borden’s incendiary work of feminist provocation and grungy, science-fiction futurism is charged with the energy of revolution. Born in Flames is both a vital time capsule of 1980s pre-gentrification New York and a disruptive, timely film that speaks so clearly to our discordant present.

Rogosin took the fight for equality to his homeland with his astonishing and powerful fourth feature Black Roots. The film, which is ripe for rediscovery, featured an extraordinary cast, including Reverend Frederick Douglass Kirkpatrick; attorney and feminist activist Florynce "Flo" Kennedy; and musicians Jim Collier, Wende Smith, Larry Johnson and Reverend Gary Davis. All tell stories of heartbreak and despair while their songs blow the roof off the rafters. In an extension of the famed shebeen scenes in Come Back, Africa, the participants in Black Roots spoke openly about politics and race in a way that is still rarely seen on screen. In 1970, it was a radical and daring move by a great director. A deeply humanist film, Black Roots combines tales of oppression with hauntingly beautiful images of the faces of black men, women and children.