Walter Catlett

A hitch-hiking stranger gets entangled with a wealthy local woman fleeing her own wedding as both try to conceal their identities.

A little wooden puppet yearns to become a real boy.

Hildy Johnson's current employer is full of reporters who invent stories as much as write about them. The paper's current story focuses on the hanging of Earl Williams. When Williams escapes from jail, Hildy seizes upon the opportunity for a unique scoop.

The publicity romance between a prizefighter and a showgirl turns into the real thing.

When their cattle transporter raises his rates, a group of ranchers turns to Roy Rogers to find a different way to get their herds to market.

Dartmouth football heroes Johnny Baker (William Gargan) and Sandy Brown (Joel McCrea) – famed for their Baker-to-Brown passing game – go their separate ways after graduation: Johnny to the editor's desk of a newspaper sports page and Sandy to the promotional schemes of a wrestling manager nicknamed Shifty. The friends' paths merge again when Johnny helps Sandy out of tough economic times, but their renewed friendship teeters toward permanent collapse when both men woo a lovely newspaper illustrator (Marian Marsh). David O. Selznick is executive producer of this pre-Code programmer, overseeing the array of visual flourishes conjured by Dudley Murphy (director of the following year's The Emperor Jones and a co director of the earlier avant-garde Ballet mécanique). Algonquin Round Table wit Robert Benchley makes his feature debut as an always-befuddled sportscaster.

After learning he is an orphan, a young boy's hair mysteriously turns green, setting off a series of public reactions to his predicament.

A un estafador lo confunden con el enviado oficial del emperador Napoleon Bonaparte para combatir la corrupción generalizada que reina en Francia.

An eccentric musical family is kept in order by a talented daughter with modest ambitions.