Micha Lescot

It’s 1967, and Jean-Luc Godard is reimagining his art. His marriage to Anna Karina is over. Sensing cultural and political change in the air a full year before the unrest of May ’68, he embarks on a new film, La Chinoise, with a new woman, actress and student activist Anne Wiazemsky.

Mathilde is nine years old. Her parents have separated. She lives with her mother, a fragile person who hovers at the edge of madness.