Deragh Campbell

Filmed on a bygone video camera, Stinking Heaven immerses you in the darkest crevices of the 1990s: a rehab commune housing a coven of colorful yet caustic personalities. A lucid vision of Sartre’s assertion that “hell is other people,” written with an utmost sincere sense of anarchy. Oddly sublime.

Light doubles and bends in Blake Williams’s sixth short, as the snaking camera twists and turns around corners that buzz with histories of 3D cinema. Deragh Campbell materializes toward the spectral end of this mesmeric experiment in perception, which coruscates with wonder in the Catalonian sun.

A family's futile attempts at capturing a family photo take a turn when the matriarch vanishes, and one daughter becomes desperate to find her.

Five strangers wake up aboard an alien spacecraft and realize that their abductors have been harvesting human fear for eons.

A young girl wears her afro to school on picture day and must deal with the unexpected consequences.

In the 1930s, Barbara and her writer husband Richard move to the Midwest and get entangled in a love triangle with their devout housekeeper, Martha.

A Jamaican migrant and working musician becomes a victim of rape—and the Canadian healthcare system—when he can’t afford the medicine to prevent HIV.

A man haunted by his brother’s mysterious disappearance enters into a complicated romance with a painter suffering from severe bipolar disorder.