Shinnosuke Ikehata

A feverish collision of avant-garde aesthetics and grind-house shocks (not to mention a direct influence on Stanley Kubrick’s A Clockwork Orange), Funeral Parade of Roses takes us on an electrifying journey into the nether-regions of the late-’60s Tokyo underworld.

Japanese avant-garde filmmaker Shūji Terayama is known for his visually striking and highly provocative works, from which Fruits of Passion is one of the most controversial. Presented at the Directors’ Fortnight in 1981, this is a sexually abrasive and disturbingly powerful tale.