Myrna Loy

Love and survival collide when a mine owner kidnaps the spoiled socialite child of his ex-partner to give her a lesson in life on the rugged frontier.

Kit Preston is the elegant newlywed wife of British financier Anthony Preston. Shortly after moving to one of London's wealthiest neighborhoods with her husband, Kit is threatened by an unknown party. The tension mounts as the menacing phone calls continue and Anthony shows little concern, until Kit begins to doubt her own sanity and the motives of everyone around her.

Middle-aged housekeeper Emma (Marie Dressler) helps a lonely widower, Ronald Smith (Richard Cromwell) raising his spoiled and over-entitled children. When Smith takes Emma on a vacation, he makes his feelings for her known by proposing marriage. Emma happily accepts, but tragedy strikes when Smith dies of a heart attack shortly after. Emma is devastated, but then must face Smith's children, who suspect she may have been involved in the death of their father.

Shortly before shedding her snakeskin vamp persona for good by wrapping herself in the ermine confines of Nora Charles, Myrna Loy terrified and terrorized as the murderous mesmerist Ursula Georgi in the pre-Code horror show Thirteen Women. Following a racist sorority's cruel rebuff, half-caste Ursula embarks on a blood-thirsty trail of deceit and murder until only one woman (Irene Dunne) is left to face her. Aside from the allure and interest of its two leading ladies – each on the cusp of their ascension into cinema legend – Thirteen Women's delights are rather more diabolical and devastating than the more domestic concerns of a traditional "Women's Picture." From its breathless and terrifying (and arrestingly staged) opening aerial atrocity through its stabbings, suicides and hidden bombs, Thirteen Women's relentless pace startles and astonishes, ever driven by Loy's portrayal of Ursula's unalloyed and unapologetic evil.

Three World War II veterans—two bearing deep trauma—return to the American Midwest and find that they and their families have been forever changed.

Howard Brubaker (Jack Lemmon) is a newly promoted man trapped in a loveless marriage. Catherine's (Catherine Deneuve) marriage would be ideal if her husband wasn't a womanizer. Soon the pair find themselves falling in love, and facing their spouses.

A group of Englishmen race to find the tomb of Ghengis Khan before the evil Dr. Fu Manchu and his daughter get to it and take over the world.

Spendthrift Willie Leyland again returns to the family home in London penniless. His father is none too pleased but Willie smooth-talks him into letting him stay. At the same time he turns the charm on Dorothy Hope, whose father is big in linoleum and who, before Willie's arrival, was about to become engaged to a Russian aristocrat.

The famous biblical story of Noah and the Great Flood, with a parallel story of soldiers in the First World War.